Igniting Wonder

Plays for Preschoolers

Fiction & Literature, Drama, American, Nonfiction, Entertainment, Fiction - YA
Cover of the book Igniting Wonder by Children’s Theatre Company, Amy Susman-Stillman, University of Minnesota Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Children’s Theatre Company, Amy Susman-Stillman ISBN: 9780816686100
Publisher: University of Minnesota Press Publication: August 1, 2013
Imprint: Univ Of Minnesota Press Language: English
Author: Children’s Theatre Company, Amy Susman-Stillman
ISBN: 9780816686100
Publisher: University of Minnesota Press
Publication: August 1, 2013
Imprint: Univ Of Minnesota Press
Language: English

Young children love to explore their world through drama—characters, dialogue, story arcs, and props are all standard elements of a child’s play. It is no surprise then that professional theatre has long been regarded as a way to support children’s social-emotional, cognitive, and creative development. Increasingly, there is an international interest in theatre for very young audiences, and the Wall Street Journal reported on a “baby boom” in American theatre, with a marked upswing in the number of stage plays being written and produced for toddlers and preschoolers.

Fueled by ongoing research into developmental psychology and theatre arts, the Children’s Theatre Company (CTC) of Minneapolis presents in this book four of its newly commissioned plays for preschoolers. CTC is widely recognized as the leading theatre for young people and families in North America; it received the 2003 Tony award for regional theatre, and Time magazine rated it the number one children’s theatre in the United States. These four plays encompass a broad range of styles and subjects: Bert and Ernie, Goodnight! is a musical about Bert and Ernie’s unlikely but true friendship, written by Barry Kornhauser and based on the original songs and scripts from Sesame Street. The Biggest Little House in the Forest is a toy-theatre play about a group of diverse animals trying to share a very tiny home, adapted by Rosanna Staffa from the book by Djemma Bider. The Cat’s Journey is a dazzling shadow-puppet play with a little girl who rides on a friendly cat, written by Fabrizio Montecchi. And Victoria Stewart’s Mercy Watson to the Rescue!, adapted from the Kate DiCamillo Mercy Watson series, is a comic romp featuring the inadvertent heroics of everyone’s favorite porcine wonder.

While these plays are as different as they could be, they all help young children to develop a moral compass and critical-thinking skills—while also showing them the power of the theatre to amaze, delight, and inspire.

Young children love to explore their world through drama—characters, dialogue, story arcs, and props are all standard elements of a child’s play. It is no surprise then that professional theatre has long been regarded as a way to support children’s social-emotional, cognitive, and creative development. Increasingly, there is an international interest in theatre for very young audiences, and the Wall Street Journal reported on a “baby boom” in American theatre, with a marked upswing in the number of stage plays being written and produced for toddlers and preschoolers.

Fueled by ongoing research into developmental psychology and theatre arts, the Children’s Theatre Company (CTC) of Minneapolis presents in this book four of its newly commissioned plays for preschoolers. CTC is widely recognized as the leading theatre for young people and families in North America; it received the 2003 Tony award for regional theatre, and Time magazine rated it the number one children’s theatre in the United States. These four plays encompass a broad range of styles and subjects: Bert and Ernie, Goodnight! is a musical about Bert and Ernie’s unlikely but true friendship, written by Barry Kornhauser and based on the original songs and scripts from Sesame Street. The Biggest Little House in the Forest is a toy-theatre play about a group of diverse animals trying to share a very tiny home, adapted by Rosanna Staffa from the book by Djemma Bider. The Cat’s Journey is a dazzling shadow-puppet play with a little girl who rides on a friendly cat, written by Fabrizio Montecchi. And Victoria Stewart’s Mercy Watson to the Rescue!, adapted from the Kate DiCamillo Mercy Watson series, is a comic romp featuring the inadvertent heroics of everyone’s favorite porcine wonder.

While these plays are as different as they could be, they all help young children to develop a moral compass and critical-thinking skills—while also showing them the power of the theatre to amaze, delight, and inspire.

More books from University of Minnesota Press

Cover of the book Anime’s Media Mix by Children’s Theatre Company, Amy Susman-Stillman
Cover of the book Wilderness Days by Children’s Theatre Company, Amy Susman-Stillman
Cover of the book The Capacity Contract by Children’s Theatre Company, Amy Susman-Stillman
Cover of the book Foucault in Iran by Children’s Theatre Company, Amy Susman-Stillman
Cover of the book Constitutional Modernism by Children’s Theatre Company, Amy Susman-Stillman
Cover of the book Minneapolis Madams by Children’s Theatre Company, Amy Susman-Stillman
Cover of the book What Would Animals Say If We Asked the Right Questions? by Children’s Theatre Company, Amy Susman-Stillman
Cover of the book Creole Indigeneity by Children’s Theatre Company, Amy Susman-Stillman
Cover of the book Holidays in the Danger Zone by Children’s Theatre Company, Amy Susman-Stillman
Cover of the book Struggle and Utopia at the End Times of Philosophy by Children’s Theatre Company, Amy Susman-Stillman
Cover of the book Beautiful Fighting Girl by Children’s Theatre Company, Amy Susman-Stillman
Cover of the book Dictionary of Non-Philosophy by Children’s Theatre Company, Amy Susman-Stillman
Cover of the book Whiskey Breakfast by Children’s Theatre Company, Amy Susman-Stillman
Cover of the book Powers of Time by Children’s Theatre Company, Amy Susman-Stillman
Cover of the book The Intellective Space by Children’s Theatre Company, Amy Susman-Stillman
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy