| Author: | Lancelot Schaubert | ISBN: | 9781521816615 |
| Publisher: | Lancelot Schaubert | Publication: | July 11, 2017 |
| Imprint: | Smashwords Edition | Language: | English |
| Author: | Lancelot Schaubert |
| ISBN: | 9781521816615 |
| Publisher: | Lancelot Schaubert |
| Publication: | July 11, 2017 |
| Imprint: | Smashwords Edition |
| Language: | English |
In life, you come across inconveniences all the time -- a stone in your shoe, a raincloud over your morning walk (in Brooklyn, a drizzle seems a downpour when endured for thirty blocks), a flower petal in your eye, a loose baby tooth, gallstones that pass and come out in the shape of fool's gold. When these things happen, you have two choices -- annoyance or reverence. Those who treat the inconveniences of this world, the nuisances and trials, the bothers and pains with reverence -- there lie your adventurers, your romantics, your poets. Everything truly is a hieroglyphic, a prop in the midst (and mist) of this great and eternal drama we find ourselves within, something we are certain to misunderstand without the proper key.
Poetry, for me, has been one of these keys to unlock the inconvenient -- even inconvenient, lesser poems that I do not like and cannot "get." Poetry's not the skeleton key, of course, but it is something like a key to the foyer. Poetry, when done well, unlocks the bothers and nuisances of everyday life, sometimes through observation, sometimes through participation, never through willful ignorance and disengagement. Poetry begs us to engage with the world around us, to discover the story and the world hidden in every little thing, to delve into that In-side which is surely deeper and higher and broader than any outside, let in The Light through that crack in everything, and call us further Up and further In.
PRAISE for Lancelot Schaubert ::
“Schaubert’s words have an immediacy, a potency, an intimacy that grab the reader by the collar and say ‘Listen, this is important!’ Probing the bones and gristle of humanity, his subjects challenge, but also offer insights into redemption if only we will stop and pay attention.”
— Erika Robuck, National Bestselling Author of Hemingway’s Girl
“Loved this story because Lance wrote about people who don't get written about enough and he did it with humor, compassion, and heart.”
— Brian Slatterly, author of Lost Everything and editor of The New Haven Review
In life, you come across inconveniences all the time -- a stone in your shoe, a raincloud over your morning walk (in Brooklyn, a drizzle seems a downpour when endured for thirty blocks), a flower petal in your eye, a loose baby tooth, gallstones that pass and come out in the shape of fool's gold. When these things happen, you have two choices -- annoyance or reverence. Those who treat the inconveniences of this world, the nuisances and trials, the bothers and pains with reverence -- there lie your adventurers, your romantics, your poets. Everything truly is a hieroglyphic, a prop in the midst (and mist) of this great and eternal drama we find ourselves within, something we are certain to misunderstand without the proper key.
Poetry, for me, has been one of these keys to unlock the inconvenient -- even inconvenient, lesser poems that I do not like and cannot "get." Poetry's not the skeleton key, of course, but it is something like a key to the foyer. Poetry, when done well, unlocks the bothers and nuisances of everyday life, sometimes through observation, sometimes through participation, never through willful ignorance and disengagement. Poetry begs us to engage with the world around us, to discover the story and the world hidden in every little thing, to delve into that In-side which is surely deeper and higher and broader than any outside, let in The Light through that crack in everything, and call us further Up and further In.
PRAISE for Lancelot Schaubert ::
“Schaubert’s words have an immediacy, a potency, an intimacy that grab the reader by the collar and say ‘Listen, this is important!’ Probing the bones and gristle of humanity, his subjects challenge, but also offer insights into redemption if only we will stop and pay attention.”
— Erika Robuck, National Bestselling Author of Hemingway’s Girl
“Loved this story because Lance wrote about people who don't get written about enough and he did it with humor, compassion, and heart.”
— Brian Slatterly, author of Lost Everything and editor of The New Haven Review
