Ingres Then, and Now

Nonfiction, Art & Architecture, General Art, Art History, Social & Cultural Studies, Social Science
Cover of the book Ingres Then, and Now by Adrian Rifkin, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Adrian Rifkin ISBN: 9781134918713
Publisher: Taylor and Francis Publication: June 20, 2005
Imprint: Routledge Language: English
Author: Adrian Rifkin
ISBN: 9781134918713
Publisher: Taylor and Francis
Publication: June 20, 2005
Imprint: Routledge
Language: English

Ingres Then, and Now is an innovative study of one of the best-known French artists of the nineteenth century, Jean Auguste Dominique Ingres. Adrian Rifkin re-evaluates Ingres' work in the context of a variety of literary, musical and visual cultures which are normally seen as alien to him. Re-viewing Ingres' paintings as a series of fragmentary symptoms of the commodity cultures of nineteenth-century Paris, Adrian Rifkin draws the artist away from his familiar association with the Academy and the Salon.
Rifkin sets out to show how, by thinking of the historical archive as a form of the unconscious, we can renew our understanding of nineteenth-century conservative or academic cultures by reading them against their 'other'. He situates Ingres in the world of the Parisian Arcades, as represented by Walter Benjamin, and examines the effect of this juxtaposition on how we think of Benjamin himself, following Ingres' image in popular cultures of the twentieth century. Rifkin then returns to the late eighteenth and early nineteenth centuries to find traces of the emergence of bizarre symptoms in Ingres' early work, symptoms which open him to a variety of conflicting readings and appropriations. It concludes by examining his importance for the great French art critic Jean Cassou on the one hand, and in making a bold, contemporary gay appropriation on the other.
Ingres Then, and Now transforms the popular image we have of Ingres. It argues that the figure of the artist is neither fixed in time or place - there is neither an essential man named Ingres, nor a singular body of his work - but is an effect of many, complex and overlapping historical effects.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Ingres Then, and Now is an innovative study of one of the best-known French artists of the nineteenth century, Jean Auguste Dominique Ingres. Adrian Rifkin re-evaluates Ingres' work in the context of a variety of literary, musical and visual cultures which are normally seen as alien to him. Re-viewing Ingres' paintings as a series of fragmentary symptoms of the commodity cultures of nineteenth-century Paris, Adrian Rifkin draws the artist away from his familiar association with the Academy and the Salon.
Rifkin sets out to show how, by thinking of the historical archive as a form of the unconscious, we can renew our understanding of nineteenth-century conservative or academic cultures by reading them against their 'other'. He situates Ingres in the world of the Parisian Arcades, as represented by Walter Benjamin, and examines the effect of this juxtaposition on how we think of Benjamin himself, following Ingres' image in popular cultures of the twentieth century. Rifkin then returns to the late eighteenth and early nineteenth centuries to find traces of the emergence of bizarre symptoms in Ingres' early work, symptoms which open him to a variety of conflicting readings and appropriations. It concludes by examining his importance for the great French art critic Jean Cassou on the one hand, and in making a bold, contemporary gay appropriation on the other.
Ingres Then, and Now transforms the popular image we have of Ingres. It argues that the figure of the artist is neither fixed in time or place - there is neither an essential man named Ingres, nor a singular body of his work - but is an effect of many, complex and overlapping historical effects.

More books from Taylor and Francis

Cover of the book Radical Sociology of Durkheim and Mauss by Adrian Rifkin
Cover of the book The Journalistic Imagination by Adrian Rifkin
Cover of the book Analysing Health Care Organizations by Adrian Rifkin
Cover of the book Role-Playing Game Studies by Adrian Rifkin
Cover of the book Diversity and Difference in Early Modern London by Adrian Rifkin
Cover of the book Essentials of Dyadic Interviewing by Adrian Rifkin
Cover of the book African Theatre in Performance by Adrian Rifkin
Cover of the book Commerce, Peace, and the Arts in Renaissance Venice by Adrian Rifkin
Cover of the book Private Policing by Adrian Rifkin
Cover of the book Psychological Illness by Adrian Rifkin
Cover of the book Mainstreaming Landscape through the European Landscape Convention by Adrian Rifkin
Cover of the book Foundations of Sports Coaching by Adrian Rifkin
Cover of the book Japan and East Asian Monetary Regionalism by Adrian Rifkin
Cover of the book Social Town Planning by Adrian Rifkin
Cover of the book Women's Bodies, Women's Worries by Adrian Rifkin
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy