Ink and Light

The Influence of Claude Lorrain's Etchings on England

Nonfiction, Art & Architecture, General Art, Individual Artist, Artists, Architects & Photographers
Cover of the book Ink and Light by Andrew Brink, MQUP
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Andrew Brink ISBN: 9780773589322
Publisher: MQUP Publication: September 1, 2013
Imprint: MQUP Language: English
Author: Andrew Brink
ISBN: 9780773589322
Publisher: MQUP
Publication: September 1, 2013
Imprint: MQUP
Language: English
Claude Lorrain (1600-1682), an eminent seventeenth-century landscape painter, was an equally talented graphic artist. Lorrain's etchings match the mastery and execution of his paintings and yet are largely unrecognized by contemporary collectors and art historians. Andrew Brink, an astute and discriminating art collector, amassed an impressive collection of etchings, engravings, and mezzotints by European master printmakers from the sixteenth century onwards. The keystone works in the Brink Collection, now housed in Guelph, Ontario's Macdonald Stewart Art Centre, are by Claude Lorrain. In Ink and Light, Brink positions Lorrain's prints as seminal to the establishment of seventeenth- and eighteenth-century aesthetics in England, which gave rise to the English pictorialism in art and landscape architecture that would have international influence in the nineteenth and twentieth centuries. He discusses the technical and material character of Lorrain's etchings, as well as their connection to literature and philosophy in early modern times. While Brink's main focus is the impact of the etchings, he also looks at paintings and drawings by Lorrain, in addition to works made by other artists after Lorrain. Featuring forty of Claude Lorrain's etchings from the Brink Collection, Ink and Light fills a significant gap in British art history by providing a close reading of Lorrain's prints, their reception in England, and the enduring impact they had on a distinctive British aesthetic.
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Claude Lorrain (1600-1682), an eminent seventeenth-century landscape painter, was an equally talented graphic artist. Lorrain's etchings match the mastery and execution of his paintings and yet are largely unrecognized by contemporary collectors and art historians. Andrew Brink, an astute and discriminating art collector, amassed an impressive collection of etchings, engravings, and mezzotints by European master printmakers from the sixteenth century onwards. The keystone works in the Brink Collection, now housed in Guelph, Ontario's Macdonald Stewart Art Centre, are by Claude Lorrain. In Ink and Light, Brink positions Lorrain's prints as seminal to the establishment of seventeenth- and eighteenth-century aesthetics in England, which gave rise to the English pictorialism in art and landscape architecture that would have international influence in the nineteenth and twentieth centuries. He discusses the technical and material character of Lorrain's etchings, as well as their connection to literature and philosophy in early modern times. While Brink's main focus is the impact of the etchings, he also looks at paintings and drawings by Lorrain, in addition to works made by other artists after Lorrain. Featuring forty of Claude Lorrain's etchings from the Brink Collection, Ink and Light fills a significant gap in British art history by providing a close reading of Lorrain's prints, their reception in England, and the enduring impact they had on a distinctive British aesthetic.

More books from MQUP

Cover of the book Safe Haven by Andrew Brink
Cover of the book Forgotten Labrador by Andrew Brink
Cover of the book Minority Languages, National Languages, and Official Language Policies by Andrew Brink
Cover of the book A Diplomat's Handbook for Democracy Development Support by Andrew Brink
Cover of the book Connected Struggles by Andrew Brink
Cover of the book Uniting in Measures of Common Good by Andrew Brink
Cover of the book The Social History of Ideas in Quebec, 1760-1896 by Andrew Brink
Cover of the book There's Always Something to Do by Andrew Brink
Cover of the book Integrity, Second Edition by Andrew Brink
Cover of the book Missing Link by Andrew Brink
Cover of the book On Governance by Andrew Brink
Cover of the book Bird on an Ethics Wire by Andrew Brink
Cover of the book The Sweet Sixteen by Andrew Brink
Cover of the book Call of Empire by Andrew Brink
Cover of the book Up and to the Right by Andrew Brink
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy