Intentions

Negotiated, Contested, and Ignored

Nonfiction, Reference & Language, Language Arts, Public Speaking, Rhetoric, Fiction & Literature, Literary Theory & Criticism, Theory, Religion & Spirituality, Philosophy
Cover of the book Intentions by Arabella Lyon, Penn State University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Arabella Lyon ISBN: 9780271075839
Publisher: Penn State University Press Publication: December 15, 1998
Imprint: Penn State University Press Language: English
Author: Arabella Lyon
ISBN: 9780271075839
Publisher: Penn State University Press
Publication: December 15, 1998
Imprint: Penn State University Press
Language: English

The relationship between an author's and an audience's intentions is complex but need not preclude mutual engagement. This philosophical investigation challenges existing literary and rhetorical perspectives on intention and offers a new framework for understanding the negotiation of meaning. It describes how an audience's intentions affect their interpretations, shows how audiences negotiate meaning when faced with a writer's undecipherable intentions, and defines the scope of understanding within rhetorical situations.

Introducing a concept of intention into literary analysis that supersedes existing rhetorical theory, Arabella Lyon shows how the rhetorics of I. A. Richards, Wayne Booth, and Stanley Fish, as well as the hermeneutics of Hans-Georg Gadamer, fail to account for the complex interactions of author and audience. Using Kenneth Burke's concepts of form, motive, and purpose, she builds a more complex notion of intention than those usually found in literary studies, then employs her theory to describe how philosophers read Wittgenstein's narratives, metaphors, and reversals in argument.

Lyon argues that our differences in intention prevent consistency in interpretations but do not stop our discussions, deliberations, and actions. She seeks to acknowledge difference and the communicative problems it creates while demonstrating that difference is normal and does not end our engagement with each other.

Intentions combines recent work in philosophy, literary criticism, hermeneutics, and rhetoric in a highly imaginative way to construct a theory of intention for a postmodern rhetoric. It recovers and renovates central concepts in rhetorical theory—not only intention but also deliberation, politics, and judgment.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The relationship between an author's and an audience's intentions is complex but need not preclude mutual engagement. This philosophical investigation challenges existing literary and rhetorical perspectives on intention and offers a new framework for understanding the negotiation of meaning. It describes how an audience's intentions affect their interpretations, shows how audiences negotiate meaning when faced with a writer's undecipherable intentions, and defines the scope of understanding within rhetorical situations.

Introducing a concept of intention into literary analysis that supersedes existing rhetorical theory, Arabella Lyon shows how the rhetorics of I. A. Richards, Wayne Booth, and Stanley Fish, as well as the hermeneutics of Hans-Georg Gadamer, fail to account for the complex interactions of author and audience. Using Kenneth Burke's concepts of form, motive, and purpose, she builds a more complex notion of intention than those usually found in literary studies, then employs her theory to describe how philosophers read Wittgenstein's narratives, metaphors, and reversals in argument.

Lyon argues that our differences in intention prevent consistency in interpretations but do not stop our discussions, deliberations, and actions. She seeks to acknowledge difference and the communicative problems it creates while demonstrating that difference is normal and does not end our engagement with each other.

Intentions combines recent work in philosophy, literary criticism, hermeneutics, and rhetoric in a highly imaginative way to construct a theory of intention for a postmodern rhetoric. It recovers and renovates central concepts in rhetorical theory—not only intention but also deliberation, politics, and judgment.

More books from Penn State University Press

Cover of the book Reconsidering Difference by Arabella Lyon
Cover of the book Economics as Religion by Arabella Lyon
Cover of the book Our Practices, Our Selves by Arabella Lyon
Cover of the book Poetic Remaking by Arabella Lyon
Cover of the book From Alienation to Forms of Life by Arabella Lyon
Cover of the book Homer’s Traditional Art by Arabella Lyon
Cover of the book Magic in the Cloister by Arabella Lyon
Cover of the book Territories of History by Arabella Lyon
Cover of the book The Complete Plays of Jean Racine by Arabella Lyon
Cover of the book Georg Trakl's Poetry by Arabella Lyon
Cover of the book Censorship and Conflict in Seventeenth-Century England by Arabella Lyon
Cover of the book An Entrenched Legacy by Arabella Lyon
Cover of the book The Prose Literature of the Gaelic Revival, 1881–1921 by Arabella Lyon
Cover of the book Swedish Mentality by Arabella Lyon
Cover of the book Borderline Exegesis by Arabella Lyon
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy