Irish Session Tune Book

Nonfiction, Entertainment, Music, International
Cover of the book Irish Session Tune Book by Cari Fuchs, Mel Bay Publications, Inc.
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Author: Cari Fuchs ISBN: 9781513404288
Publisher: Mel Bay Publications, Inc. Publication: November 2, 2015
Imprint: Language: English
Author: Cari Fuchs
ISBN: 9781513404288
Publisher: Mel Bay Publications, Inc.
Publication: November 2, 2015
Imprint:
Language: English

This book is the ideal primer for anyone wishing to participate in an ""Irish session"". This musical gathering is apparently quite different than a blues, jazz or bluegrass jam session in that it is customary at Irish sessions to play in tight unison with the other musicians, adapting appropriate tempos, rhythms, and ornaments in an attempt to fit in with the ""groove"". The ""Irish Session Tune Book"" features 300 reels, hornpipes, polkas, slides, and slip-jigs written without chord symbols for the melody instruments commonly played in Irish Sessions. The author shares a wealth of melodies collected over the past 10 years, the majority learned by ear at Irish sessions: fiddle, accordion, tinwhistle, tenor banjo, mandolin, bouzouki, etc. Authentic ornamentation is suggested for each tune with the admonition that ornamentation may vary from region to region and chorus to chorus

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book is the ideal primer for anyone wishing to participate in an ""Irish session"". This musical gathering is apparently quite different than a blues, jazz or bluegrass jam session in that it is customary at Irish sessions to play in tight unison with the other musicians, adapting appropriate tempos, rhythms, and ornaments in an attempt to fit in with the ""groove"". The ""Irish Session Tune Book"" features 300 reels, hornpipes, polkas, slides, and slip-jigs written without chord symbols for the melody instruments commonly played in Irish Sessions. The author shares a wealth of melodies collected over the past 10 years, the majority learned by ear at Irish sessions: fiddle, accordion, tinwhistle, tenor banjo, mandolin, bouzouki, etc. Authentic ornamentation is suggested for each tune with the admonition that ornamentation may vary from region to region and chorus to chorus

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