Joan of Arc in French Art and Culture (1700�855)

From Satire to Sanctity

Nonfiction, Art & Architecture, Art History, European, General Art
Cover of the book Joan of Arc in French Art and Culture (1700�855) by Nora M. Heimann, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Nora M. Heimann ISBN: 9781351154949
Publisher: Taylor and Francis Publication: November 30, 2017
Imprint: Routledge Language: English
Author: Nora M. Heimann
ISBN: 9781351154949
Publisher: Taylor and Francis
Publication: November 30, 2017
Imprint: Routledge
Language: English

In her meticulous and wide-ranging study, Nora M. Heimann follows the metamorphosis of Joan of Arc's posthumous representation during the years in which her image ascended from relative obscurity as a minor provincial figure in the middle ages through her treatment as a figure of political satire in the eighteenth century to her ultimate emergence as an image of piety and sanctity in the mid-nineteenth century. Offering the first scholarly art historical and cultural analysis of the origins of the modern Joan of Arc cult, she takes on the challenge of charting, as no previous critic has, why and how the Maid of Orl‘s has been all things to such a diverse public through the ages, particularly during the rapid shifts in political regimes that came in the wake of the French Revolution. Joan of Arc's image has shown a protean capacity to embody a vast and often contradictory range of qualities, from martial ascendancy to vulnerable piety, from maidenly purity to transgressive androgyny, from the power of the people to the divine right of kings. Heimann makes a persuasive case for this enduringly resonant woman as the only figure in French culture to be warmly embraced simultaneously by republicans, monarchists, feminists, and neo-fascists alike. In its recounting of the iconographic fortunes of this remarkable woman during her transformation from an image of satire to one of sanctity, Joan of Arc in French Art and Culture (1700-1855) offers an illustrated, interdisciplinary depiction of the relationship between art and politics that will appeal not only to art historians but also to those working in literature, women's studies, cultural studies, intellectual history, and religious history.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In her meticulous and wide-ranging study, Nora M. Heimann follows the metamorphosis of Joan of Arc's posthumous representation during the years in which her image ascended from relative obscurity as a minor provincial figure in the middle ages through her treatment as a figure of political satire in the eighteenth century to her ultimate emergence as an image of piety and sanctity in the mid-nineteenth century. Offering the first scholarly art historical and cultural analysis of the origins of the modern Joan of Arc cult, she takes on the challenge of charting, as no previous critic has, why and how the Maid of Orl‘s has been all things to such a diverse public through the ages, particularly during the rapid shifts in political regimes that came in the wake of the French Revolution. Joan of Arc's image has shown a protean capacity to embody a vast and often contradictory range of qualities, from martial ascendancy to vulnerable piety, from maidenly purity to transgressive androgyny, from the power of the people to the divine right of kings. Heimann makes a persuasive case for this enduringly resonant woman as the only figure in French culture to be warmly embraced simultaneously by republicans, monarchists, feminists, and neo-fascists alike. In its recounting of the iconographic fortunes of this remarkable woman during her transformation from an image of satire to one of sanctity, Joan of Arc in French Art and Culture (1700-1855) offers an illustrated, interdisciplinary depiction of the relationship between art and politics that will appeal not only to art historians but also to those working in literature, women's studies, cultural studies, intellectual history, and religious history.

More books from Taylor and Francis

Cover of the book A Community of Individuals by Nora M. Heimann
Cover of the book Politics and Leadership in North Korea by Nora M. Heimann
Cover of the book Edwin H. Sutherland by Nora M. Heimann
Cover of the book Policy Analysis of Transport Networks by Nora M. Heimann
Cover of the book Programme for Victory (Works of Harold J. Laski) by Nora M. Heimann
Cover of the book The Capability Approach by Nora M. Heimann
Cover of the book Strategic Renewal by Nora M. Heimann
Cover of the book Redefining More Able Education by Nora M. Heimann
Cover of the book Individual and Structural Determinants of Environmental Practice by Nora M. Heimann
Cover of the book The Florentine Villa by Nora M. Heimann
Cover of the book Women in Antiquity by Nora M. Heimann
Cover of the book Complex/Archetype/Symbol In The Psychology Of C G Jung by Nora M. Heimann
Cover of the book Ventures in Criminology by Nora M. Heimann
Cover of the book Women's Work by Nora M. Heimann
Cover of the book For the People, by the People? by Nora M. Heimann
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy