Julius Caesar

Fiction & Literature, Literary Theory & Criticism, British, American
Cover of the book Julius Caesar by Andrew Hartley, Manchester University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Andrew Hartley ISBN: 9781526102485
Publisher: Manchester University Press Publication: November 1, 2015
Imprint: Manchester University Press Language: English
Author: Andrew Hartley
ISBN: 9781526102485
Publisher: Manchester University Press
Publication: November 1, 2015
Imprint: Manchester University Press
Language: English

Julius Caesar presents a performance history of a controversial play, moving from its 1599 opening all the way into the new millennium with particular emphasis on its twentieth- and twenty-first-century incarnations on stage and screen. The book tracks the play’s evolution from being a play about the oratorical skill of noble Romans to its recent manifestations as a dark political thriller.

Chapters in this theoretically savvy and global study consider productions such as Orson Welles’s groundbreaking examination of European Fascism, Joseph Mankeiwicz’s Oscar winning 1953 film, politically complex productions at the Royal Shakespeare Company, and shows from around the world which interrogate their own cultural and educational context as well as pressing contemporary concerns such as the reach of mass media.

The result blows the dust off a play sometimes considered old-fashioned, navigates its thorny theatrical qualities and revels in those productions which have so excited audiences.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Julius Caesar presents a performance history of a controversial play, moving from its 1599 opening all the way into the new millennium with particular emphasis on its twentieth- and twenty-first-century incarnations on stage and screen. The book tracks the play’s evolution from being a play about the oratorical skill of noble Romans to its recent manifestations as a dark political thriller.

Chapters in this theoretically savvy and global study consider productions such as Orson Welles’s groundbreaking examination of European Fascism, Joseph Mankeiwicz’s Oscar winning 1953 film, politically complex productions at the Royal Shakespeare Company, and shows from around the world which interrogate their own cultural and educational context as well as pressing contemporary concerns such as the reach of mass media.

The result blows the dust off a play sometimes considered old-fashioned, navigates its thorny theatrical qualities and revels in those productions which have so excited audiences.

More books from Manchester University Press

Cover of the book French children under the Allied bombs, 1940–45 by Andrew Hartley
Cover of the book The Norman Geras Reader by Andrew Hartley
Cover of the book Aesthetics and subjectivity by Andrew Hartley
Cover of the book Adapting philosophy by Andrew Hartley
Cover of the book Europe on the move by Andrew Hartley
Cover of the book Sir Robert Filmer (1588–1653) and the patriotic monarch by Andrew Hartley
Cover of the book The territorial Conservative Party by Andrew Hartley
Cover of the book Regarding the real by Andrew Hartley
Cover of the book Writing disenchantment by Andrew Hartley
Cover of the book The United Nations, intra-state peacekeeping and normative change by Andrew Hartley
Cover of the book Spacing Ireland by Andrew Hartley
Cover of the book Ireland and migration in the twenty-first century by Andrew Hartley
Cover of the book Tolerance and diversity in Ireland, north and south by Andrew Hartley
Cover of the book Pockets of resistance by Andrew Hartley
Cover of the book The ascent of globalisation by Andrew Hartley
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy