King Lear

New Critical Essays

Fiction & Literature, Literary Theory & Criticism, Drama History & Criticism, British
Cover of the book King Lear by , Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781135973643
Publisher: Taylor and Francis Publication: April 18, 2008
Imprint: Routledge Language: English
Author:
ISBN: 9781135973643
Publisher: Taylor and Francis
Publication: April 18, 2008
Imprint: Routledge
Language: English

Is King Lear an autonomous text, or a rewrite of the earlier and anonymous play King Leir? Should we refer to Shakespeare’s original quarto when discussing the play, the revised folio text, or the popular composite version, stitched together by Alexander Pope in 1725? What of its stage variations? When turning from page to stage, the critical view on King Lear is skewed by the fact that for almost half of the four hundred years the play has been performed, audiences preferred Naham Tate's optimistic adaptation, in which Lear and Cordelia live happily ever after. When discussing King Lear, the question of what comprises ‘the play’ is both complex and fragmentary.

These issues of identity and authenticity across time and across mediums are outlined, debated, and considered critically by the contributors to this volume. Using a variety of approaches, from postcolonialism and New Historicism to psychoanalysis and gender studies, the leading international contributors to King Lear: New Critical Essays offer major new interpretations on the conception and writing, editing, and cultural productions of King Lear. This book is an up-to-date and comprehensive anthology of textual scholarship, performance research, and critical writing on one of Shakespeare's most important and perplexing tragedies.

Contributors Include: R.A. Foakes, Richard Knowles, Tom Clayton, Cynthia Clegg, Edward L. Rocklin, Christy Desmet, Paul Cantor, Robert V. Young, Stanley Stewart and Jean R. Brink

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Is King Lear an autonomous text, or a rewrite of the earlier and anonymous play King Leir? Should we refer to Shakespeare’s original quarto when discussing the play, the revised folio text, or the popular composite version, stitched together by Alexander Pope in 1725? What of its stage variations? When turning from page to stage, the critical view on King Lear is skewed by the fact that for almost half of the four hundred years the play has been performed, audiences preferred Naham Tate's optimistic adaptation, in which Lear and Cordelia live happily ever after. When discussing King Lear, the question of what comprises ‘the play’ is both complex and fragmentary.

These issues of identity and authenticity across time and across mediums are outlined, debated, and considered critically by the contributors to this volume. Using a variety of approaches, from postcolonialism and New Historicism to psychoanalysis and gender studies, the leading international contributors to King Lear: New Critical Essays offer major new interpretations on the conception and writing, editing, and cultural productions of King Lear. This book is an up-to-date and comprehensive anthology of textual scholarship, performance research, and critical writing on one of Shakespeare's most important and perplexing tragedies.

Contributors Include: R.A. Foakes, Richard Knowles, Tom Clayton, Cynthia Clegg, Edward L. Rocklin, Christy Desmet, Paul Cantor, Robert V. Young, Stanley Stewart and Jean R. Brink

More books from Taylor and Francis

Cover of the book Fifty Key British Films by
Cover of the book Climate Change Adaptation and Food Supply Chain Management by
Cover of the book Political Emotions by
Cover of the book Training Behaviour Therapists (Psychology Revivals) by
Cover of the book Routledge Revivals: God, Literature and Process Thought (2002) by
Cover of the book The Routledge Companion to Death and Dying by
Cover of the book Intense Years by
Cover of the book Cultural Politics in Modern India by
Cover of the book Epimethean Imaginings by
Cover of the book Distance Education: New Perspectives by
Cover of the book What's So Funny? by
Cover of the book Heritage Revitalisation for Tourism in Hong Kong by
Cover of the book Classroom-based Interventions Across Subject Areas by
Cover of the book Mindfulness-Based Intervention Research by
Cover of the book Making Peace With Chronic Pain by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy