Landscape in American Guides and View Books

Visual History of Touring and Travel

Nonfiction, History, Americas, United States, 19th Century
Cover of the book Landscape in American Guides and View Books by Herbert Gottfried, Lexington Books
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Herbert Gottfried ISBN: 9780739176092
Publisher: Lexington Books Publication: November 8, 2012
Imprint: Lexington Books Language: English
Author: Herbert Gottfried
ISBN: 9780739176092
Publisher: Lexington Books
Publication: November 8, 2012
Imprint: Lexington Books
Language: English

Landscape in American Guides and View Books: Visual History of Touring and Travel is vested in the American relationship to landscape and the role guidebooks and view books played in touring and travel experiences, including immigration. Early in the history of the republic, the relationship to landscape turns visual, that is, landscapes inspire artistic responses in the form of written descriptions and visual representations. The predominant element is the scene. From the 1820s on scenic thinking, within an emerging industrial economy, characterizes a major cultural and social development. As immigration increases, within the country and from abroad, publishers and trade groups create souvenir guidebooks and view books to facilitate the movement of people, and to encourage economic expansion and tourism.

Guide and view book analysis centers on pictures of landscape transformations and includes the cultural basis of scenes changing from pastoral and picturesque expressions to the documentation of managed views. The general acceptance of managed views as replacements for romantic ones illustrates a commitment to landscapes that denote utility and the influence of commercial and industrial urban centers on American life. Guidebook and view book imagery, composed of durable schemas, promotes visual thinking across social classes and time. The primary medium for souvenirs is the photograph, which printing methods, like photolithography, transform into printed products.
The visual history of touring and travel is part of America’s first visual culture, as well as the social formation of landscape, the emergence of a collective vision among souvenir producers and consumers, and the role visual information plays in landscape commentary, which is the literary context for printed souvenirs.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Landscape in American Guides and View Books: Visual History of Touring and Travel is vested in the American relationship to landscape and the role guidebooks and view books played in touring and travel experiences, including immigration. Early in the history of the republic, the relationship to landscape turns visual, that is, landscapes inspire artistic responses in the form of written descriptions and visual representations. The predominant element is the scene. From the 1820s on scenic thinking, within an emerging industrial economy, characterizes a major cultural and social development. As immigration increases, within the country and from abroad, publishers and trade groups create souvenir guidebooks and view books to facilitate the movement of people, and to encourage economic expansion and tourism.

Guide and view book analysis centers on pictures of landscape transformations and includes the cultural basis of scenes changing from pastoral and picturesque expressions to the documentation of managed views. The general acceptance of managed views as replacements for romantic ones illustrates a commitment to landscapes that denote utility and the influence of commercial and industrial urban centers on American life. Guidebook and view book imagery, composed of durable schemas, promotes visual thinking across social classes and time. The primary medium for souvenirs is the photograph, which printing methods, like photolithography, transform into printed products.
The visual history of touring and travel is part of America’s first visual culture, as well as the social formation of landscape, the emergence of a collective vision among souvenir producers and consumers, and the role visual information plays in landscape commentary, which is the literary context for printed souvenirs.

More books from Lexington Books

Cover of the book Legacies of Socialist Solidarity by Herbert Gottfried
Cover of the book The Commercial Church by Herbert Gottfried
Cover of the book PTSD by Herbert Gottfried
Cover of the book The Internet and the 2016 Presidential Campaign by Herbert Gottfried
Cover of the book Faith, Hope, Love, and Justice by Herbert Gottfried
Cover of the book Literary Mischief by Herbert Gottfried
Cover of the book Exploring the Illusion of Free Will and Moral Responsibility by Herbert Gottfried
Cover of the book Rampage Violence Narratives by Herbert Gottfried
Cover of the book The Dunayevskaya-Marcuse-Fromm Correspondence, 1954–1978 by Herbert Gottfried
Cover of the book The Sound of Ontology by Herbert Gottfried
Cover of the book After the Factory by Herbert Gottfried
Cover of the book Islamic Law and Governance in Contemporary Iran by Herbert Gottfried
Cover of the book Speculative Imperialisms by Herbert Gottfried
Cover of the book The Revival of Platonism in Cicero's Late Philosophy by Herbert Gottfried
Cover of the book Voices of Privilege and Sacrifice from Women Volunteers in India by Herbert Gottfried
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy