Latin American Cinema

A Comparative History

Nonfiction, History, Americas, Latin America, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book Latin American Cinema by Paul A. Schroeder Rodríguez, University of California Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Paul A. Schroeder Rodríguez ISBN: 9780520963535
Publisher: University of California Press Publication: March 8, 2016
Imprint: University of California Press Language: English
Author: Paul A. Schroeder Rodríguez
ISBN: 9780520963535
Publisher: University of California Press
Publication: March 8, 2016
Imprint: University of California Press
Language: English

This book charts a comparative history of Latin America’s national cinemas through ten chapters that cover every major cinematic period in the region: silent cinema, studio cinema, neorealism and art cinema, the New Latin American Cinema, and contemporary cinema. Schroeder Rodríguez weaves close readings of approximately fifty paradigmatic films into a lucid narrative history that is rigorous in its scholarship and framed by a compelling theorization of the multiple discourses of modernity. The result is an essential guide that promises to transform our understanding of the region’s cultural history in the last hundred years by highlighting how key players such as the church and the state have affected cinema’s unique ability to help shape public discourse and construct modern identities in a region marked by ongoing struggles for social justice and liberation.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book charts a comparative history of Latin America’s national cinemas through ten chapters that cover every major cinematic period in the region: silent cinema, studio cinema, neorealism and art cinema, the New Latin American Cinema, and contemporary cinema. Schroeder Rodríguez weaves close readings of approximately fifty paradigmatic films into a lucid narrative history that is rigorous in its scholarship and framed by a compelling theorization of the multiple discourses of modernity. The result is an essential guide that promises to transform our understanding of the region’s cultural history in the last hundred years by highlighting how key players such as the church and the state have affected cinema’s unique ability to help shape public discourse and construct modern identities in a region marked by ongoing struggles for social justice and liberation.

More books from University of California Press

Cover of the book Counterplay by Paul A. Schroeder Rodríguez
Cover of the book Veiled Sentiments by Paul A. Schroeder Rodríguez
Cover of the book Birthing the Nation by Paul A. Schroeder Rodríguez
Cover of the book Enclosure by Paul A. Schroeder Rodríguez
Cover of the book Lula of Brazil by Paul A. Schroeder Rodríguez
Cover of the book Biodiversity in a Changing Climate by Paul A. Schroeder Rodríguez
Cover of the book Letters from Langston by Paul A. Schroeder Rodríguez
Cover of the book Divine Deliverance by Paul A. Schroeder Rodríguez
Cover of the book Three Kingdoms by Paul A. Schroeder Rodríguez
Cover of the book Longing and Belonging by Paul A. Schroeder Rodríguez
Cover of the book Foreigners and Their Food by Paul A. Schroeder Rodríguez
Cover of the book The Transplant Imaginary by Paul A. Schroeder Rodríguez
Cover of the book The FBI and Religion by Paul A. Schroeder Rodríguez
Cover of the book Greek Gods Abroad by Paul A. Schroeder Rodríguez
Cover of the book Emerson by Paul A. Schroeder Rodríguez
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy