Le Poète Et L'Inspiration: Orné Et Gravé Par Armand Coussens

Nonfiction, Religion & Spirituality, New Age, History, Fiction & Literature
Cover of the book Le Poète Et L'Inspiration: Orné Et Gravé Par Armand Coussens by Francis Jammes, Library of Alexandria
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Francis Jammes ISBN: 9781465538543
Publisher: Library of Alexandria Publication: March 8, 2015
Imprint: Language: French
Author: Francis Jammes
ISBN: 9781465538543
Publisher: Library of Alexandria
Publication: March 8, 2015
Imprint:
Language: French
"All her work," he said, caressingly; "she did it all herselfevery bit," and he took the room in with a glance which was full of affectionate worship. One of those soft Japanese fabrics with which women drape with careful negligence the upper part of a picture−frame was out of adjustment. He noticed it, and rearranged it with cautious pains, stepping back several times to gauge the effect before he got it to suit him. Then he gave it a light finishing pat or two with his hand, and said: "She always does that. You can't tell just what it lacks, but it does lack something until you've done thatyou can see it yourself after it's done, but that is all you know; you can't find out the law of it. It's like the finishing pats a mOther gives the child's hair after she's got it combed and brushed, I reckon. I've seen her fix all these things so much that I can do them all just her way, though I don't know the law of any of them. But she knows the law. She knows the why and the how both; but I don't know the why; I only know the how." He took me into a bedroom so that I might wash my hands; such a bedroom as I had not seen for years: white counterpane, white pillows, carpeted floor, papered walls, pictures, dressing−table, with mirror and pin−cushion and dainty toilet things; and in the corner a wash−stand, with real china−ware bowl and pitcher, and with soap in a china dish, and on a rack more than a dozen towelstowels too clean and white for one out of practice to use without some vague sense of profanation. So my face spoke again, and he answered with gratified words: "All her work; she did it all herselfevery bit. Nothing here that hasn't felt the touch of her hand. Now you would thinkBut I mustn't talk so much." By this time I was wiping my hands and glancing from detail to detail of the room's belongings, as one is apt to do when he is in a new place, where everything he sees is a comfort to his eye and his spirit; and I became conscious, in one of those unaccountable ways, you know, that there was something there somewhere that the man wanted me to discover for myself. I knew it perfectly, and I knew he was trying to help me by furtive indications with his eye, so I tried hard to get on the right track, being eager to gratify him. I failed several times, as I could see out of the corner of my eye without being told; but at last I knew I must be looking straight at the thingknew it from the pleasure issuing in invisible waves from him. He broke into a happy laugh, and rubbed his hands together, and cried out
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
"All her work," he said, caressingly; "she did it all herselfevery bit," and he took the room in with a glance which was full of affectionate worship. One of those soft Japanese fabrics with which women drape with careful negligence the upper part of a picture−frame was out of adjustment. He noticed it, and rearranged it with cautious pains, stepping back several times to gauge the effect before he got it to suit him. Then he gave it a light finishing pat or two with his hand, and said: "She always does that. You can't tell just what it lacks, but it does lack something until you've done thatyou can see it yourself after it's done, but that is all you know; you can't find out the law of it. It's like the finishing pats a mOther gives the child's hair after she's got it combed and brushed, I reckon. I've seen her fix all these things so much that I can do them all just her way, though I don't know the law of any of them. But she knows the law. She knows the why and the how both; but I don't know the why; I only know the how." He took me into a bedroom so that I might wash my hands; such a bedroom as I had not seen for years: white counterpane, white pillows, carpeted floor, papered walls, pictures, dressing−table, with mirror and pin−cushion and dainty toilet things; and in the corner a wash−stand, with real china−ware bowl and pitcher, and with soap in a china dish, and on a rack more than a dozen towelstowels too clean and white for one out of practice to use without some vague sense of profanation. So my face spoke again, and he answered with gratified words: "All her work; she did it all herselfevery bit. Nothing here that hasn't felt the touch of her hand. Now you would thinkBut I mustn't talk so much." By this time I was wiping my hands and glancing from detail to detail of the room's belongings, as one is apt to do when he is in a new place, where everything he sees is a comfort to his eye and his spirit; and I became conscious, in one of those unaccountable ways, you know, that there was something there somewhere that the man wanted me to discover for myself. I knew it perfectly, and I knew he was trying to help me by furtive indications with his eye, so I tried hard to get on the right track, being eager to gratify him. I failed several times, as I could see out of the corner of my eye without being told; but at last I knew I must be looking straight at the thingknew it from the pleasure issuing in invisible waves from him. He broke into a happy laugh, and rubbed his hands together, and cried out

More books from Library of Alexandria

Cover of the book A Student's History of England (Complete) by Francis Jammes
Cover of the book The Two Shipmates by Francis Jammes
Cover of the book Ghostly Phenomena by Francis Jammes
Cover of the book Dictionnaire raisonné de l'architecture française du XIe au XVIe siècle, Tome Quatrieme by Francis Jammes
Cover of the book Tom Swift in the Caves of Ice, Or, the Wreck of the Airship by Francis Jammes
Cover of the book The Story of Hungary by Francis Jammes
Cover of the book The King's Favourite by Francis Jammes
Cover of the book The Fur-Seal's Tooth: A Story of Alaskan Adventure by Francis Jammes
Cover of the book Germany's Fighting Machine: Her Army, her Navy, her Airships and Why She Arrayed Them Against the Allied Powers of Europe by Francis Jammes
Cover of the book Deccan Nursery Tales by Francis Jammes
Cover of the book La Guerre du Paraguay by Francis Jammes
Cover of the book To The West by Francis Jammes
Cover of the book Ancient and Modern Initiation by Francis Jammes
Cover of the book The Shield of Love by Francis Jammes
Cover of the book Micah Clarke: His Statement as Made to his Three Grandchildren Joseph, Gervas and Reuben During the Hard Winter of 1734 by Francis Jammes
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy