Light and Death

Figuration in Spenser, Kepler, Donne, Milton

Nonfiction, Science & Nature, Science, Other Sciences, Philosophy & Social Aspects, Fiction & Literature, Literary Theory & Criticism
Cover of the book Light and Death by Judith H. Anderson, Fordham University Press
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Author: Judith H. Anderson ISBN: 9780823272792
Publisher: Fordham University Press Publication: January 2, 2017
Imprint: Fordham University Press Language: English
Author: Judith H. Anderson
ISBN: 9780823272792
Publisher: Fordham University Press
Publication: January 2, 2017
Imprint: Fordham University Press
Language: English

Light figures being; darkness, death. Bridging mathematical science, semantics, rhetoric, grammar, and major poems, Judith H. Anderson seeks to negotiate writings from multiple disciplines in the shared terms of poiesis and figuration rather than as cultural opposites.

Analogy, a type of metaphor, has always been the connector of the known to the unknown, the sensible to the infinite. Anderson’s study moves from the figuration of light and death to the history of analogy and its pertinence to light in physics and metaphysics, from Kepler to Donne, Spenser, and Milton. Topics proliferate: creativity, optics, the relation of literature to science, the methodology of thought and argument, and the processes of narrative, discovery, and interpretation.

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Light figures being; darkness, death. Bridging mathematical science, semantics, rhetoric, grammar, and major poems, Judith H. Anderson seeks to negotiate writings from multiple disciplines in the shared terms of poiesis and figuration rather than as cultural opposites.

Analogy, a type of metaphor, has always been the connector of the known to the unknown, the sensible to the infinite. Anderson’s study moves from the figuration of light and death to the history of analogy and its pertinence to light in physics and metaphysics, from Kepler to Donne, Spenser, and Milton. Topics proliferate: creativity, optics, the relation of literature to science, the methodology of thought and argument, and the processes of narrative, discovery, and interpretation.

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