Listening to Noise and Silence

Towards a Philosophy of Sound Art

Nonfiction, Entertainment, Music, Theory & Criticism, History & Criticism, Reference, Religion & Spirituality, Philosophy
Cover of the book Listening to Noise and Silence by Dr Salomé Voegelin, Bloomsbury Publishing
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Author: Dr Salomé Voegelin ISBN: 9781441143389
Publisher: Bloomsbury Publishing Publication: March 31, 2010
Imprint: Continuum Language: English
Author: Dr Salomé Voegelin
ISBN: 9781441143389
Publisher: Bloomsbury Publishing
Publication: March 31, 2010
Imprint: Continuum
Language: English

Listening to Noise and Silence engages with the emerging practice of sound art and the concurrent development of a discourse and theory of sound. In this original and challenging work, Salomé Voegelin immerses the reader in concepts of listening to sound artwork and the everyday acoustic environment, establishing an aesthetics and philosophy of sound and promoting the notion of a sonic sensibility.

A multitude of sound works are discussed, by lesser known contemporary artists and composers (for example Curgenven, Gasson and Federer), historical figures in the field (Artaud, Feldman and Cage), and that of contemporary canonic artists such as Janet Cardiff, Bill Fontana, Bernard Parmegiani, and Merzbow.

Informed by the ideas of Adorno, Merleau-Ponty and others, the book aims to come to a critique of sound art from its soundings rather than in relation to abstracted themes and pre-existing categories. Listening to Noise and Silence broadens the discussion surrounding sound art and opens up the field for others to follow.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Listening to Noise and Silence engages with the emerging practice of sound art and the concurrent development of a discourse and theory of sound. In this original and challenging work, Salomé Voegelin immerses the reader in concepts of listening to sound artwork and the everyday acoustic environment, establishing an aesthetics and philosophy of sound and promoting the notion of a sonic sensibility.

A multitude of sound works are discussed, by lesser known contemporary artists and composers (for example Curgenven, Gasson and Federer), historical figures in the field (Artaud, Feldman and Cage), and that of contemporary canonic artists such as Janet Cardiff, Bill Fontana, Bernard Parmegiani, and Merzbow.

Informed by the ideas of Adorno, Merleau-Ponty and others, the book aims to come to a critique of sound art from its soundings rather than in relation to abstracted themes and pre-existing categories. Listening to Noise and Silence broadens the discussion surrounding sound art and opens up the field for others to follow.

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