Living Electronic Music

Nonfiction, Entertainment, Music
Cover of the book Living Electronic Music by Simon Emmerson, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Simon Emmerson ISBN: 9781351217842
Publisher: Taylor and Francis Publication: September 29, 2017
Imprint: Routledge Language: English
Author: Simon Emmerson
ISBN: 9781351217842
Publisher: Taylor and Francis
Publication: September 29, 2017
Imprint: Routledge
Language: English

Drawing on recent ideas that explore new environments and the changing situations of composition and performance, Simon Emmerson provides a significant contribution to the study of contemporary music, bridging history, aesthetics and the ideas behind evolving performance practices. Whether created in a studio or performed on stage, how does electronic music reflect what is live and living? What is it to perform 'live' in the age of the laptop? Many performer-composers draw upon a 'library' of materials, some created beforehand in a studio, some coded 'on the fly', others 'plundered' from the widest possible range of sources. But others refuse to abandon traditionally 'created and structured' electroacoustic work. Lying behind this maelstrom of activity is the perennial relationship to 'theory', that is, ideas, principles and practices that somehow lie behind composers' and performers' actions. Some composers claim they just 'respond' to sound and compose 'with their ears', while others use models and analogies of previously 'non-musical' processes. It is evident that in such new musical practices the human body has a new relationship to the sound. There is a historical dimension to this, for since the earliest electroacoustic experiments in 1948 the body has been celebrated or sublimated in a strange 'dance' of forces in which it has never quite gone away but rarely been overtly present. The relationship of the body performing to the spaces around has also undergone a revolution as the source of sound production has shifted to the loudspeaker. Emmerson considers these issues in the framework of our increasingly 'acousmatic' world in which we cannot see the source of the sounds we hear.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Drawing on recent ideas that explore new environments and the changing situations of composition and performance, Simon Emmerson provides a significant contribution to the study of contemporary music, bridging history, aesthetics and the ideas behind evolving performance practices. Whether created in a studio or performed on stage, how does electronic music reflect what is live and living? What is it to perform 'live' in the age of the laptop? Many performer-composers draw upon a 'library' of materials, some created beforehand in a studio, some coded 'on the fly', others 'plundered' from the widest possible range of sources. But others refuse to abandon traditionally 'created and structured' electroacoustic work. Lying behind this maelstrom of activity is the perennial relationship to 'theory', that is, ideas, principles and practices that somehow lie behind composers' and performers' actions. Some composers claim they just 'respond' to sound and compose 'with their ears', while others use models and analogies of previously 'non-musical' processes. It is evident that in such new musical practices the human body has a new relationship to the sound. There is a historical dimension to this, for since the earliest electroacoustic experiments in 1948 the body has been celebrated or sublimated in a strange 'dance' of forces in which it has never quite gone away but rarely been overtly present. The relationship of the body performing to the spaces around has also undergone a revolution as the source of sound production has shifted to the loudspeaker. Emmerson considers these issues in the framework of our increasingly 'acousmatic' world in which we cannot see the source of the sounds we hear.

More books from Taylor and Francis

Cover of the book The Roanoke Voyages, 1584-1590 by Simon Emmerson
Cover of the book Empowering SME Managers in Palestine by Simon Emmerson
Cover of the book Crossing Jordan by Simon Emmerson
Cover of the book How Shakespeare Became Colonial by Simon Emmerson
Cover of the book Routledge Revivals: Encyclopedia of American Civil Liberties (2006) by Simon Emmerson
Cover of the book When Your Spouse Comes Out by Simon Emmerson
Cover of the book The Ancient Economy by Simon Emmerson
Cover of the book Convergence Innovation in Asian Industries by Simon Emmerson
Cover of the book Handbook of Learning and Cognitive Processes (Volume 5) by Simon Emmerson
Cover of the book Can Small Urban Communities Survive?: Culturological Analysis in Urban Rehabilitation - Cases in Slovenia and Scotland by Simon Emmerson
Cover of the book China’s Fiscal Policy by Simon Emmerson
Cover of the book Becoming Deviant by Simon Emmerson
Cover of the book Choice in Everyday Life by Simon Emmerson
Cover of the book A Critical History of the Economy by Simon Emmerson
Cover of the book An Intellectual History of Terror by Simon Emmerson
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy