Living Theodrama

Reimagining Theological Ethics

Nonfiction, Art & Architecture, General Art, Art History, Religious, Religion & Spirituality, Theology
Cover of the book Living Theodrama by Wesley Vander Lugt, Taylor and Francis
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Author: Wesley Vander Lugt ISBN: 9781317103929
Publisher: Taylor and Francis Publication: May 13, 2016
Imprint: Routledge Language: English
Author: Wesley Vander Lugt
ISBN: 9781317103929
Publisher: Taylor and Francis
Publication: May 13, 2016
Imprint: Routledge
Language: English

Living Theodrama is a fresh, creative introduction to theological ethics. Offering an imaginative approach through dialogue with theatrical theory and practice, Vander Lugt demonstrates a new way to integrate actor-oriented and action-oriented approaches to Christian ethics within a comprehensive theodramatic model. This model affirms that life is a drama performed in the company of God and others, providing rich metaphors for relating theology to everyday formation and performance in this drama. Different chapters explore the role of the triune God, Scripture, tradition, the church, mission, and context in the process of formation and performance, thus dealing separately with major themes in theological ethics while incorporating them within an overarching model. This book contains not only a fruitful exchange between theological ethics and theatre, but it also presents a promising method for interdisciplinary dialogue between theology and the arts that will be valuable for students and practitioners across many different fields.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Living Theodrama is a fresh, creative introduction to theological ethics. Offering an imaginative approach through dialogue with theatrical theory and practice, Vander Lugt demonstrates a new way to integrate actor-oriented and action-oriented approaches to Christian ethics within a comprehensive theodramatic model. This model affirms that life is a drama performed in the company of God and others, providing rich metaphors for relating theology to everyday formation and performance in this drama. Different chapters explore the role of the triune God, Scripture, tradition, the church, mission, and context in the process of formation and performance, thus dealing separately with major themes in theological ethics while incorporating them within an overarching model. This book contains not only a fruitful exchange between theological ethics and theatre, but it also presents a promising method for interdisciplinary dialogue between theology and the arts that will be valuable for students and practitioners across many different fields.

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