Lonesome Melodies

The Lives and Music of the Stanley Brothers

Nonfiction, Entertainment, Music, Music Styles, Country, Theory & Criticism, History & Criticism, Reference
Cover of the book Lonesome Melodies by David W. Johnson, University Press of Mississippi
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: David W. Johnson ISBN: 9781617036477
Publisher: University Press of Mississippi Publication: January 16, 2013
Imprint: University Press of Mississippi Language: English
Author: David W. Johnson
ISBN: 9781617036477
Publisher: University Press of Mississippi
Publication: January 16, 2013
Imprint: University Press of Mississippi
Language: English

Carter and Ralph Stanley--the Stanley Brothers--are comparable to Bill Monroe and Flatt & Scruggs as important members of the earliest generation of bluegrass musicians. In this first biography of the brothers, author David W. Johnson documents that Carter (1925-1966) and Ralph (b. 1927) were equally important contributors to the tradition of old-time country music. Together from 1946 to 1966, the Stanley Brothers began their careers performing in the schoolhouses of southwestern Virginia and expanded their popularity to the concert halls of Europe.


In order to re-create this post-World War II journey through the changing landscape of American music, the author interviewed Ralph Stanley, the family of Carter Stanley, former members of the Clinch Mountain Boys, and dozens of musicians and friends who knew the Stanley Brothers as musicians and men. The late Mike Seeger allowed Johnson to use his invaluable 1966 interviews with the brothers. Notable old-time country and bluegrass musicians such as George Shuffler, Lester Woodie, Larry Sparks, and the late Wade Mainer shared their recollections of Carter and Ralph.


Lonesome Melodies begins and ends in the mountains of southwestern Virginia. Carter and Ralph were born there and had an early publicity photograph taken at the Cumberland Gap. In December 1966, pallbearers walked up Smith Ridge to bring Carter to his final resting place. In the intervening years, the brothers performed thousands of in-person and radio shows, recorded hundreds of songs and tunes for half a dozen record labels, and tried to keep pace with changing times while remaining true to the spirit of old-time country music. As a result of their accomplishments, they have become a standard of musical authenticity.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Carter and Ralph Stanley--the Stanley Brothers--are comparable to Bill Monroe and Flatt & Scruggs as important members of the earliest generation of bluegrass musicians. In this first biography of the brothers, author David W. Johnson documents that Carter (1925-1966) and Ralph (b. 1927) were equally important contributors to the tradition of old-time country music. Together from 1946 to 1966, the Stanley Brothers began their careers performing in the schoolhouses of southwestern Virginia and expanded their popularity to the concert halls of Europe.


In order to re-create this post-World War II journey through the changing landscape of American music, the author interviewed Ralph Stanley, the family of Carter Stanley, former members of the Clinch Mountain Boys, and dozens of musicians and friends who knew the Stanley Brothers as musicians and men. The late Mike Seeger allowed Johnson to use his invaluable 1966 interviews with the brothers. Notable old-time country and bluegrass musicians such as George Shuffler, Lester Woodie, Larry Sparks, and the late Wade Mainer shared their recollections of Carter and Ralph.


Lonesome Melodies begins and ends in the mountains of southwestern Virginia. Carter and Ralph were born there and had an early publicity photograph taken at the Cumberland Gap. In December 1966, pallbearers walked up Smith Ridge to bring Carter to his final resting place. In the intervening years, the brothers performed thousands of in-person and radio shows, recorded hundreds of songs and tunes for half a dozen record labels, and tried to keep pace with changing times while remaining true to the spirit of old-time country music. As a result of their accomplishments, they have become a standard of musical authenticity.

More books from University Press of Mississippi

Cover of the book W. E. B. Du Bois on Asia by David W. Johnson
Cover of the book Beyond The Chinese Connection by David W. Johnson
Cover of the book The New Blue Music by David W. Johnson
Cover of the book American Indians and the Rhetoric of Removal and Allotment by David W. Johnson
Cover of the book Global Pop, Local Language by David W. Johnson
Cover of the book Expressions of Place by David W. Johnson
Cover of the book Samuel M. Gore by David W. Johnson
Cover of the book Ainâ??t That a Knee-Slapper by David W. Johnson
Cover of the book Willie by David W. Johnson
Cover of the book Southern Splendor by David W. Johnson
Cover of the book Under Surge, Under Siege by David W. Johnson
Cover of the book Sanctuaries of Segregation by David W. Johnson
Cover of the book Conversations with Walter Mosley by David W. Johnson
Cover of the book At Home Inside by David W. Johnson
Cover of the book The High-Kilted Muse by David W. Johnson
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy