Love and Pain and The Play-Function of Sex

Nonfiction, Religion & Spirituality, New Age, History, Fiction & Literature
Cover of the book Love and Pain and The Play-Function of Sex by Havelock Ellis, Library of Alexandria
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Havelock Ellis ISBN: 9781465606907
Publisher: Library of Alexandria Publication: March 8, 2015
Imprint: Language: English
Author: Havelock Ellis
ISBN: 9781465606907
Publisher: Library of Alexandria
Publication: March 8, 2015
Imprint:
Language: English
The relation of love to pain is one of the most difficult problems, and yet one of the most fundamental, in the whole range of sexual psychology. Why is it that love inflicts, and even seeks to inflict, pain? Why is it that love suffers pain, and even seeks to suffer it? In answering that question, it seems to me, we have to take an apparently circuitous route, sometimes going beyond the ostensible limits of sex altogether; but if we can succeed in answering it we shall have come very near one of the great mysteries of love. At the same time we shall have made clear the normal basis on which rest the extreme aberrations of love. The chief key to the relationship of love to pain is to be found by returning to the consideration of the essential phenomena of courtship in the animal world generally. Courtship is a play, a game; even its combats are often, to a large extent, mock-combats; but the process behind it is one of terrible earnestness, and the play may at any moment become deadly. Courtship tends to involve a mock-combat between males for the possession of the female which may at any time become a real combat; it is a pursuit of the female by the male which may at any time become a kind of persecution; so that, as Colin Scott remarks, "Courting may be looked upon as a refined and delicate form of combat." The note of courtship, more especially among mammals, is very easily forced, and as soon as we force it we reach pain. The intimate and inevitable association in the animal world of combat--of the fighting and hunting impulses--with the process of courtship alone suffices to bring love into close connection with pain. Among mammals the male wins the female very largely by the display of force. The infliction of pain must inevitably be a frequent indirect result of the exertion of power. It is even more than this; the infliction of pain by the male on the female may itself be a gratification of the impulse to exert force. This tendency has always to be held in check, for it is of the essence of courtship that the male should win the female, and she can only be won by the promise of pleasure. The tendency of the male to inflict pain must be restrained, so far as the female is concerned, by the consideration of what is pleasing to her. Yet, the more carefully we study the essential elements of courtship, the clearer it becomes that, playful as these manifestations may seem on the surface, in every direction they are verging on pain. It is so among animals generally; it is so in man among savages. "It is precisely the alliance of pleasure and pain," wrote the physiologist Burdach, "which constitutes the voluptuous emotion." Nor is this emotional attitude entirely confined to the male. The female also in courtship delights to arouse to the highest degree in the male the desire for her favors and to withhold those favors from him, thus finding on her part also the enjoyment of power in cruelty. "One's cruelty is one's power," Millament says in Congreve's Way of the World, "and when one parts with one's cruelty one parts with one's power."
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
The relation of love to pain is one of the most difficult problems, and yet one of the most fundamental, in the whole range of sexual psychology. Why is it that love inflicts, and even seeks to inflict, pain? Why is it that love suffers pain, and even seeks to suffer it? In answering that question, it seems to me, we have to take an apparently circuitous route, sometimes going beyond the ostensible limits of sex altogether; but if we can succeed in answering it we shall have come very near one of the great mysteries of love. At the same time we shall have made clear the normal basis on which rest the extreme aberrations of love. The chief key to the relationship of love to pain is to be found by returning to the consideration of the essential phenomena of courtship in the animal world generally. Courtship is a play, a game; even its combats are often, to a large extent, mock-combats; but the process behind it is one of terrible earnestness, and the play may at any moment become deadly. Courtship tends to involve a mock-combat between males for the possession of the female which may at any time become a real combat; it is a pursuit of the female by the male which may at any time become a kind of persecution; so that, as Colin Scott remarks, "Courting may be looked upon as a refined and delicate form of combat." The note of courtship, more especially among mammals, is very easily forced, and as soon as we force it we reach pain. The intimate and inevitable association in the animal world of combat--of the fighting and hunting impulses--with the process of courtship alone suffices to bring love into close connection with pain. Among mammals the male wins the female very largely by the display of force. The infliction of pain must inevitably be a frequent indirect result of the exertion of power. It is even more than this; the infliction of pain by the male on the female may itself be a gratification of the impulse to exert force. This tendency has always to be held in check, for it is of the essence of courtship that the male should win the female, and she can only be won by the promise of pleasure. The tendency of the male to inflict pain must be restrained, so far as the female is concerned, by the consideration of what is pleasing to her. Yet, the more carefully we study the essential elements of courtship, the clearer it becomes that, playful as these manifestations may seem on the surface, in every direction they are verging on pain. It is so among animals generally; it is so in man among savages. "It is precisely the alliance of pleasure and pain," wrote the physiologist Burdach, "which constitutes the voluptuous emotion." Nor is this emotional attitude entirely confined to the male. The female also in courtship delights to arouse to the highest degree in the male the desire for her favors and to withhold those favors from him, thus finding on her part also the enjoyment of power in cruelty. "One's cruelty is one's power," Millament says in Congreve's Way of the World, "and when one parts with one's cruelty one parts with one's power."

More books from Library of Alexandria

Cover of the book A Treatise Upon the Law of Copyright in the United Kingdom and the Dominions of the Crown, and in the United States of America by Havelock Ellis
Cover of the book Women of England by Havelock Ellis
Cover of the book The Great Diamond Hoax and Other Stirring Incidents in the Life of Asbury Harpending by Havelock Ellis
Cover of the book Origin and Development of Form and Ornament in Ceramic Art: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-1883 by Havelock Ellis
Cover of the book Cross Purposes and the Shadows by Havelock Ellis
Cover of the book The Rig Veda by Havelock Ellis
Cover of the book Justice de femme by Havelock Ellis
Cover of the book La vie littéraire (Complete) by Havelock Ellis
Cover of the book The Hindu-Arabic Numerals by Havelock Ellis
Cover of the book Little Saint Elizabeth and Other Stories by Havelock Ellis
Cover of the book The Aborigines of Western Australia by Havelock Ellis
Cover of the book Bell's Cathedrals: The Cathedral Church of Salisbury. A Description of its Fabric and a Brief History of the See of Sarum by Havelock Ellis
Cover of the book The Red Track: A Story of Social Life in Mexico by Havelock Ellis
Cover of the book A Country Gentleman and His Family by Havelock Ellis
Cover of the book The Squire's Daughter by Havelock Ellis
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy