Machiavelli Goes to the Movies

Understanding The Prince through Television and Film

Fiction & Literature, Literary Theory & Criticism, European, Italian, Nonfiction, History, Renaissance, Social & Cultural Studies, Political Science, Politics, History & Theory
Cover of the book Machiavelli Goes to the Movies by Troy Kozma, Eric T. Kasper, Lexington Books
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Troy Kozma, Eric T. Kasper ISBN: 9780739195956
Publisher: Lexington Books Publication: March 24, 2015
Imprint: Lexington Books Language: English
Author: Troy Kozma, Eric T. Kasper
ISBN: 9780739195956
Publisher: Lexington Books
Publication: March 24, 2015
Imprint: Lexington Books
Language: English

Niccolò Machiavelli’s The Prince remains an influential book more than five centuries after he wrote his timeless classic. However, the political philosophy expressed by Machiavelli in his tome is often misunderstood. Although he thought humans to be rational, self-interested creatures, and even though he proposed an approach to politics in which the ends justify the means, Machiavelli was not, as some have argued, simply “a teacher of evil.” The Prince’s many ancient and medieval examples, while relevant to sixteenth century readers, are lost on most of today’s students of Machiavelli. Examples from modern films and television programs, which are more familiar and understandable to contemporary readers, provide a better way to accurately teach Machiavelli’s lessons. Indeed, modern media, such as Breaking Bad, The Godfather, The Walking Dead, Charlie Wilson’s War, House of Cards, Argo, and The Departed, are replete with illustrations that teach Machiavelli’s critical principles, including the need to caress or annihilate, learning “how not to be good,” why it is better to be feared than loved, and how to act as both the lion and the fox. Modern media are used in this book to exemplify the tactics Machiavelli advocated and to comprehensively demonstrate that Machiavelli intended for government actors and those exercising power in other contexts to fight for a greater good and strive to achieve glory.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Niccolò Machiavelli’s The Prince remains an influential book more than five centuries after he wrote his timeless classic. However, the political philosophy expressed by Machiavelli in his tome is often misunderstood. Although he thought humans to be rational, self-interested creatures, and even though he proposed an approach to politics in which the ends justify the means, Machiavelli was not, as some have argued, simply “a teacher of evil.” The Prince’s many ancient and medieval examples, while relevant to sixteenth century readers, are lost on most of today’s students of Machiavelli. Examples from modern films and television programs, which are more familiar and understandable to contemporary readers, provide a better way to accurately teach Machiavelli’s lessons. Indeed, modern media, such as Breaking Bad, The Godfather, The Walking Dead, Charlie Wilson’s War, House of Cards, Argo, and The Departed, are replete with illustrations that teach Machiavelli’s critical principles, including the need to caress or annihilate, learning “how not to be good,” why it is better to be feared than loved, and how to act as both the lion and the fox. Modern media are used in this book to exemplify the tactics Machiavelli advocated and to comprehensively demonstrate that Machiavelli intended for government actors and those exercising power in other contexts to fight for a greater good and strive to achieve glory.

More books from Lexington Books

Cover of the book Environmental Cooperation as a Tool for Conflict Transformation and Resolution by Troy Kozma, Eric T. Kasper
Cover of the book David in the Muslim Tradition by Troy Kozma, Eric T. Kasper
Cover of the book How the Market Is Changing China's News by Troy Kozma, Eric T. Kasper
Cover of the book American Roma by Troy Kozma, Eric T. Kasper
Cover of the book Intellectuals and Apparatchiks by Troy Kozma, Eric T. Kasper
Cover of the book Eastern European Jewish American Narratives, 1890–1930 by Troy Kozma, Eric T. Kasper
Cover of the book Global Coloniality of Power in Guatemala by Troy Kozma, Eric T. Kasper
Cover of the book A History of Hollywood’s Outsourcing Debate by Troy Kozma, Eric T. Kasper
Cover of the book Strangers to Nature by Troy Kozma, Eric T. Kasper
Cover of the book Missionary Families Find a Sense of Place and Identity by Troy Kozma, Eric T. Kasper
Cover of the book Witness from the Pulpit by Troy Kozma, Eric T. Kasper
Cover of the book The Making of Hmong America by Troy Kozma, Eric T. Kasper
Cover of the book Trust, Our Second Nature by Troy Kozma, Eric T. Kasper
Cover of the book Crossing Boundaries for Collaboration by Troy Kozma, Eric T. Kasper
Cover of the book Marxist Theory, Black/African Specificities, and Racism by Troy Kozma, Eric T. Kasper
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy