Making Cinelandia

American Films and Mexican Film Culture before the Golden Age

Nonfiction, History, Americas, Mexico, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book Making Cinelandia by Laura Isabel Serna, Duke University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Laura Isabel Serna ISBN: 9780822376798
Publisher: Duke University Press Publication: March 3, 2014
Imprint: Duke University Press Books Language: English
Author: Laura Isabel Serna
ISBN: 9780822376798
Publisher: Duke University Press
Publication: March 3, 2014
Imprint: Duke University Press Books
Language: English

In the 1920s, as American films came to dominate Mexico's cinemas, many of its cultural and political elites feared that this "Yanqui invasion" would turn Mexico into a cultural vassal of the United States. In Making Cinelandia, Laura Isabel Serna contends that Hollywood films were not simply tools of cultural imperialism. Instead, they offered Mexicans on both sides of the border an imaginative and crucial means of participating in global modernity, even as these films and their producers and distributors frequently displayed anti-Mexican bias. Before the Golden Age of Mexican cinema, Mexican audiences used their encounters with American films to construct a national film culture. Drawing on extensive archival research, Serna explores the popular experience of cinemagoing from the perspective of exhibitors, cinema workers, journalists, censors, and fans, showing how Mexican audiences actively engaged with American films to identify more deeply with Mexico.
 

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In the 1920s, as American films came to dominate Mexico's cinemas, many of its cultural and political elites feared that this "Yanqui invasion" would turn Mexico into a cultural vassal of the United States. In Making Cinelandia, Laura Isabel Serna contends that Hollywood films were not simply tools of cultural imperialism. Instead, they offered Mexicans on both sides of the border an imaginative and crucial means of participating in global modernity, even as these films and their producers and distributors frequently displayed anti-Mexican bias. Before the Golden Age of Mexican cinema, Mexican audiences used their encounters with American films to construct a national film culture. Drawing on extensive archival research, Serna explores the popular experience of cinemagoing from the perspective of exhibitors, cinema workers, journalists, censors, and fans, showing how Mexican audiences actively engaged with American films to identify more deeply with Mexico.
 

More books from Duke University Press

Cover of the book Producing Guanxi by Laura Isabel Serna
Cover of the book Greening Brazil by Laura Isabel Serna
Cover of the book Fluent Bodies by Laura Isabel Serna
Cover of the book Inequalities of Love by Laura Isabel Serna
Cover of the book Metal Rules the Globe by Laura Isabel Serna
Cover of the book Excursions by Laura Isabel Serna
Cover of the book The Other Side of the Popular by Laura Isabel Serna
Cover of the book Beyond the Sacred Forest by Laura Isabel Serna
Cover of the book The Afterlife of Reproductive Slavery by Laura Isabel Serna
Cover of the book Media, Erotics, and Transnational Asia by Laura Isabel Serna
Cover of the book Memoirs from the Beijing Film Academy by Laura Isabel Serna
Cover of the book The Postmodernism Debate in Latin America by Laura Isabel Serna
Cover of the book Indigenous Mestizos by Laura Isabel Serna
Cover of the book South of Pico by Laura Isabel Serna
Cover of the book Words in Motion by Laura Isabel Serna
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy