Making It National

Nationalism and Australian popular culture

Nonfiction, Social & Cultural Studies, Social Science
Cover of the book Making It National by Graeme Turner, Allen & Unwin
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Author: Graeme Turner ISBN: 9781742696713
Publisher: Allen & Unwin Publication: October 1, 1994
Imprint: Allen & Unwin Language: English
Author: Graeme Turner
ISBN: 9781742696713
Publisher: Allen & Unwin
Publication: October 1, 1994
Imprint: Allen & Unwin
Language: English

Making it National argues that we need to rethink the way national identity is constructed in Australia today. Graeme Turner takes a series of recent instances - the mythologising of Bond and the larrikin entrepreneurs, the Spycatcher trials, Maralinga and the Bicentenary - showing how popular images of national identity are used to serve specific rather than national interests.

'Graeme Turner's writing has a remarkable power to engage its readers with all the immediacy, vividness and drama of our very best journalism, while putting cultural theory to work in new and creative ways.' - Meaghan Morris

'Making it National could be to the 1990s what Richard White's Inventing Australia was to the 1980s.' - Tony Bennett, Institute for Cultural Policy Studies, Griffith University

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Making it National argues that we need to rethink the way national identity is constructed in Australia today. Graeme Turner takes a series of recent instances - the mythologising of Bond and the larrikin entrepreneurs, the Spycatcher trials, Maralinga and the Bicentenary - showing how popular images of national identity are used to serve specific rather than national interests.

'Graeme Turner's writing has a remarkable power to engage its readers with all the immediacy, vividness and drama of our very best journalism, while putting cultural theory to work in new and creative ways.' - Meaghan Morris

'Making it National could be to the 1990s what Richard White's Inventing Australia was to the 1980s.' - Tony Bennett, Institute for Cultural Policy Studies, Griffith University

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