Making, Selling and Wearing Boys' Clothes in Late-Victorian England

Nonfiction, History
Cover of the book Making, Selling and Wearing Boys' Clothes in Late-Victorian England by Clare Rose, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Clare Rose ISBN: 9781351920599
Publisher: Taylor and Francis Publication: December 5, 2016
Imprint: Routledge Language: English
Author: Clare Rose
ISBN: 9781351920599
Publisher: Taylor and Francis
Publication: December 5, 2016
Imprint: Routledge
Language: English

There has been a great deal of recent interest in masculine clothing, examining both its production and consumption, and the ways in which it was used to create individual identities and to build businesses, from 1850 onwards. Drawing upon a wide range of sources this book studies the interaction between producers and consumers at a key period in the development of the ready-made clothing industry. It also shows that many innovations in advertising clothing, usually considered to have been developed in America, had earlier British precedents. To counter the lack of documentary evidence that has hitherto hampered research into the dress practices of non-elite groups, this book utilises thousands of unpublished visual documents. These include hundreds of manufacturers' designs, which underline an unexpected degree of investment by manufacturers in boys' clothing, and which was matched by heavy investment in advertising, with thousands of images of boys' clothing for shop catalogues in the Stationers' Hall copyright archive. Another key source is the archives of Dr Barnardo's Homes. This extraordinary collection contains over 15,000 documented photographs of boys entering between 1875 and 1900, allowing us to look beyond official polarization of 'raggedness' and 'respectability' used by charities and social reformers of all stripes and to establish the clothing that was actually worn by a large sample of boys. A close analysis of 1,800 images reveals that even when families were impoverished, they strove to present their boys in ways that reflected their position in the family group and in society. By drawing on these visual sources, and linking the design and retailing of boys' clothing with social, cultural and economic issues, this book shows that an understanding of the production and consumption of the boys clothing is central to debates on the growth of the consumer society, the development of mass-market fashion, and concepts of childhood and masculinity.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

There has been a great deal of recent interest in masculine clothing, examining both its production and consumption, and the ways in which it was used to create individual identities and to build businesses, from 1850 onwards. Drawing upon a wide range of sources this book studies the interaction between producers and consumers at a key period in the development of the ready-made clothing industry. It also shows that many innovations in advertising clothing, usually considered to have been developed in America, had earlier British precedents. To counter the lack of documentary evidence that has hitherto hampered research into the dress practices of non-elite groups, this book utilises thousands of unpublished visual documents. These include hundreds of manufacturers' designs, which underline an unexpected degree of investment by manufacturers in boys' clothing, and which was matched by heavy investment in advertising, with thousands of images of boys' clothing for shop catalogues in the Stationers' Hall copyright archive. Another key source is the archives of Dr Barnardo's Homes. This extraordinary collection contains over 15,000 documented photographs of boys entering between 1875 and 1900, allowing us to look beyond official polarization of 'raggedness' and 'respectability' used by charities and social reformers of all stripes and to establish the clothing that was actually worn by a large sample of boys. A close analysis of 1,800 images reveals that even when families were impoverished, they strove to present their boys in ways that reflected their position in the family group and in society. By drawing on these visual sources, and linking the design and retailing of boys' clothing with social, cultural and economic issues, this book shows that an understanding of the production and consumption of the boys clothing is central to debates on the growth of the consumer society, the development of mass-market fashion, and concepts of childhood and masculinity.

More books from Taylor and Francis

Cover of the book Neo-liberal Educational Reforms by Clare Rose
Cover of the book China's Soviet Dream by Clare Rose
Cover of the book Advancing the Profession of Exercise Physiology by Clare Rose
Cover of the book On the Way Home by Clare Rose
Cover of the book Cultural Forms of Protest in Russia by Clare Rose
Cover of the book Psychology for Social Workers by Clare Rose
Cover of the book Citizenship After Orientalism by Clare Rose
Cover of the book Handbook on Measurement, Assessment, and Evaluation in Higher Education by Clare Rose
Cover of the book Reshaping City Governance by Clare Rose
Cover of the book Motivation and Self-Regulated Learning by Clare Rose
Cover of the book Improvisation and Composition in Balinese Gendér Wayang by Clare Rose
Cover of the book Why Customers Would Rather Have a Smartphone than a Car by Clare Rose
Cover of the book Conversations about Qualitative Communication Research by Clare Rose
Cover of the book Education and Imperial Unity, 1901-1926 by Clare Rose
Cover of the book Strategic Marketing in Library and Information Science by Clare Rose
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy