Mapping The Democratic Forest: The Postsouthern Spaces of William Eggleston

An article from Southern Cultures 17:2, The Photography Issue

Nonfiction, Art & Architecture, General Art, History, Americas, United States
Cover of the book Mapping The Democratic Forest: The Postsouthern Spaces of William Eggleston by Ben Child, The University of North Carolina Press
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Author: Ben Child ISBN: 9780807882443
Publisher: The University of North Carolina Press Publication: June 1, 2011
Imprint: The University of North Carolina Press Language: English
Author: Ben Child
ISBN: 9780807882443
Publisher: The University of North Carolina Press
Publication: June 1, 2011
Imprint: The University of North Carolina Press
Language: English

Eggleston, the iconoclastic and colorful groundbreaker, imbues the mundane with vibrancy.This article appears in the Summer 2011 issue of Southern Cultures:The Photography Issue. "When the color photographs of William Eggleston first appeared at the Museum of Modern Art in 1976, the boldness of Eggleston's palette and his disregard for the conventions of black-and-white photography were shocking; nearly all the major critics were scornful, and Ansel Adams wrote a scathing letter of protest."

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Eggleston, the iconoclastic and colorful groundbreaker, imbues the mundane with vibrancy.This article appears in the Summer 2011 issue of Southern Cultures:The Photography Issue. "When the color photographs of William Eggleston first appeared at the Museum of Modern Art in 1976, the boldness of Eggleston's palette and his disregard for the conventions of black-and-white photography were shocking; nearly all the major critics were scornful, and Ansel Adams wrote a scathing letter of protest."

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