María Izquierdo and Frida Kahlo

Challenging Visions in Modern Mexican Art

Nonfiction, Art & Architecture, General Art, Art History, American
Cover of the book María Izquierdo and Frida Kahlo by Nancy Deffebach, University of Texas Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Nancy Deffebach ISBN: 9781477300503
Publisher: University of Texas Press Publication: August 15, 2015
Imprint: University of Texas Press Language: English
Author: Nancy Deffebach
ISBN: 9781477300503
Publisher: University of Texas Press
Publication: August 15, 2015
Imprint: University of Texas Press
Language: English
María Izquierdo (1902–1955) and Frida Kahlo (1907–1954) were the first two Mexican women artists to achieve international recognition. During the height of the Mexican muralist movement, they established successful careers as easel painters and created work that has become an integral part of Mexican modernism. Although the iconic Kahlo is now more famous, the two artists had comparable reputations during their lives. Both were regularly included in major exhibitions of Mexican art, and they were invariably the only women chosen for the most important professional activities and honors.In a deeply informed study that prioritizes critical analysis over biographical interpretation, Nancy Deffebach places Kahlo's and Izquierdo's oeuvres in their cultural context, examining the ways in which the artists participated in the national and artistic discourses of postrevolutionary Mexico. Through iconographic analysis of paintings and themes within each artist's oeuvre, Deffebach discusses how the artists engaged intellectually with the issues and ideas of their era, especially Mexican national identity and the role of women in society. In a time when Mexican artistic and national discourses associated the nation with masculinity, Izquierdo and Kahlo created images of women that deconstructed gender roles, critiqued the status quo, and presented more empowering alternatives for women. Deffebach demonstrates that, paradoxically, Kahlo and Izquierdo became the most successful Mexican women artists of the modernist period while most directly challenging the prevailing ideas about gender and what constitutes important art.
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
María Izquierdo (1902–1955) and Frida Kahlo (1907–1954) were the first two Mexican women artists to achieve international recognition. During the height of the Mexican muralist movement, they established successful careers as easel painters and created work that has become an integral part of Mexican modernism. Although the iconic Kahlo is now more famous, the two artists had comparable reputations during their lives. Both were regularly included in major exhibitions of Mexican art, and they were invariably the only women chosen for the most important professional activities and honors.In a deeply informed study that prioritizes critical analysis over biographical interpretation, Nancy Deffebach places Kahlo's and Izquierdo's oeuvres in their cultural context, examining the ways in which the artists participated in the national and artistic discourses of postrevolutionary Mexico. Through iconographic analysis of paintings and themes within each artist's oeuvre, Deffebach discusses how the artists engaged intellectually with the issues and ideas of their era, especially Mexican national identity and the role of women in society. In a time when Mexican artistic and national discourses associated the nation with masculinity, Izquierdo and Kahlo created images of women that deconstructed gender roles, critiqued the status quo, and presented more empowering alternatives for women. Deffebach demonstrates that, paradoxically, Kahlo and Izquierdo became the most successful Mexican women artists of the modernist period while most directly challenging the prevailing ideas about gender and what constitutes important art.

More books from University of Texas Press

Cover of the book La Malinche in Mexican Literature by Nancy Deffebach
Cover of the book Galveston Island, or, A Few Months off the Coast of Texas by Nancy Deffebach
Cover of the book Midwives and Mothers by Nancy Deffebach
Cover of the book Literary and Artistic Patronage in Ancient Rome by Nancy Deffebach
Cover of the book Ancient Andean Political Economy by Nancy Deffebach
Cover of the book Fade to Gray by Nancy Deffebach
Cover of the book The Hidden History of Capoeira by Nancy Deffebach
Cover of the book Indigenous Movements, Self-Representation, and the State in Latin America by Nancy Deffebach
Cover of the book Nazi Ideology before 1933 by Nancy Deffebach
Cover of the book The Journey Home by Nancy Deffebach
Cover of the book The Behavior of Texas Birds by Nancy Deffebach
Cover of the book Violence and Activism at the Border by Nancy Deffebach
Cover of the book The Fight to Save Juárez by Nancy Deffebach
Cover of the book The Galveston Era by Nancy Deffebach
Cover of the book Spanish Vocabulary by Nancy Deffebach
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy