Masters of the Grotesque

The Cinema of Tim Burton, Terry Gilliam, the Coen Brothers and David Lynch

Nonfiction, Entertainment, Performing Arts, Film, Social & Cultural Studies, Social Science, Cultural Studies, Popular Culture
Cover of the book Masters of the Grotesque by Schuy R. Weishaar, McFarland & Company, Inc., Publishers
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Author: Schuy R. Weishaar ISBN: 9781476600604
Publisher: McFarland & Company, Inc., Publishers Publication: October 16, 2012
Imprint: Language: English
Author: Schuy R. Weishaar
ISBN: 9781476600604
Publisher: McFarland & Company, Inc., Publishers
Publication: October 16, 2012
Imprint:
Language: English

The concepts and theories surrounding the aesthetic category of the grotesque are explored in this book by pursuing their employment in the films of American auteurs Tim Burton, Terry Gilliam, the Coen Brothers and David Lynch. The author argues that interpreting these directors’ films through the lens of the grotesque allows us1to situate both the auteurs and the films within a long history of the grotesque in art and aesthetics. This cultural tradition effectively subsumes the contribution of any artist or1genre that intersects it but also affords the artist or genre—the auteur and the genre filmmaker—a pantheon and an abundance of images, themes, and motifs through which he1or she can subversively represent the world and our place in it.

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The concepts and theories surrounding the aesthetic category of the grotesque are explored in this book by pursuing their employment in the films of American auteurs Tim Burton, Terry Gilliam, the Coen Brothers and David Lynch. The author argues that interpreting these directors’ films through the lens of the grotesque allows us1to situate both the auteurs and the films within a long history of the grotesque in art and aesthetics. This cultural tradition effectively subsumes the contribution of any artist or1genre that intersects it but also affords the artist or genre—the auteur and the genre filmmaker—a pantheon and an abundance of images, themes, and motifs through which he1or she can subversively represent the world and our place in it.

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