Melodrama as a voice of society

Nonfiction, Entertainment, Drama, Anthologies
Cover of the book Melodrama as a voice of society by Stephen Ströhle, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Stephen Ströhle ISBN: 9783638489621
Publisher: GRIN Publishing Publication: April 12, 2006
Imprint: GRIN Publishing Language: English
Author: Stephen Ströhle
ISBN: 9783638489621
Publisher: GRIN Publishing
Publication: April 12, 2006
Imprint: GRIN Publishing
Language: English

Seminar paper from the year 2001 in the subject American Studies - Literature, grade: 2, University of Stuttgart, 8 entries in the bibliography, language: English, abstract: Melodrama was already successfully performed in France, Germany and especially in England. When the Melodrama came to the United States it first had to be Americanized. So the American authors had to invent a new kind of Melodrama which had an American spirit. What they did first was to copy successful European plays and rewrite them for American conditions. By the late 19thcentury real American melodramas were written including a lot of action, violence and often the use of huge machinery. 'Melodrama became a direct expression of American society and national character'¹ as well as technological progress and its dangers. What I am going to do now is to deal with the intentions of the Americanized Melodrama. I think a brief definition of what a melodrama is should be enough because so many others have already taken its definition into pieces. Of more importance is the way the American society is shaped at that time and the way the Melodrama influences and criticises society. I will try to explain the function of a melodrama and how it is used as a voice of society. The example ofUnder the Gaslightby Augustin Daly will help us to understand the functions of the melodrama and how they are implemented.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2001 in the subject American Studies - Literature, grade: 2, University of Stuttgart, 8 entries in the bibliography, language: English, abstract: Melodrama was already successfully performed in France, Germany and especially in England. When the Melodrama came to the United States it first had to be Americanized. So the American authors had to invent a new kind of Melodrama which had an American spirit. What they did first was to copy successful European plays and rewrite them for American conditions. By the late 19thcentury real American melodramas were written including a lot of action, violence and often the use of huge machinery. 'Melodrama became a direct expression of American society and national character'¹ as well as technological progress and its dangers. What I am going to do now is to deal with the intentions of the Americanized Melodrama. I think a brief definition of what a melodrama is should be enough because so many others have already taken its definition into pieces. Of more importance is the way the American society is shaped at that time and the way the Melodrama influences and criticises society. I will try to explain the function of a melodrama and how it is used as a voice of society. The example ofUnder the Gaslightby Augustin Daly will help us to understand the functions of the melodrama and how they are implemented.

More books from GRIN Publishing

Cover of the book An Analysis of Adequate OECD Transfer Pricing Methods for Intangible Property by Stephen Ströhle
Cover of the book Stereotypes in Cross Cultural Communication ragarding Germans by Stephen Ströhle
Cover of the book Economic overview of Japan by Stephen Ströhle
Cover of the book Art on Art on Art. Parallels in poems by William Carlos Williams and visual arts by Stephen Ströhle
Cover of the book The Colonial Expansion of English - English as a global language by Stephen Ströhle
Cover of the book E-Mailschreiben in der Grundschule by Stephen Ströhle
Cover of the book Comparison of the supernatural elements in Washington Irving's short stories by Stephen Ströhle
Cover of the book Cross-Cultural Competence by Stephen Ströhle
Cover of the book From the red blood to the crimson scar: comparing the voice of protest and suffering in the works of Ida B Wells Bartnett and Ann Petry by Stephen Ströhle
Cover of the book Education and Attitudes towards AA(V)E by Stephen Ströhle
Cover of the book Some Potential Origins of the First World War (1914-1918) by Stephen Ströhle
Cover of the book Character Analysis: Dolly Scupp in Terrence McNally's 'Bad Habits' by Stephen Ströhle
Cover of the book Are capital controls a useful instrument of economic policy? by Stephen Ströhle
Cover of the book Social Media Marketing by Stephen Ströhle
Cover of the book Canada and the Trans-Pacific Partnership by Stephen Ströhle
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy