Menus for Movieland

Newspapers and the Emergence of American Film Culture, 1913–1916

Nonfiction, Entertainment, Performing Arts, Business Aspects, Film, History & Criticism
Cover of the book Menus for Movieland by Richard Abel, University of California Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Richard Abel ISBN: 9780520961883
Publisher: University of California Press Publication: September 1, 2015
Imprint: University of California Press Language: English
Author: Richard Abel
ISBN: 9780520961883
Publisher: University of California Press
Publication: September 1, 2015
Imprint: University of California Press
Language: English

At the turn of the past century, the main function of a newspaper was to offer “menus” by which readers could make sense of modern life and imagine how to order their daily lives. Among those menus in the mid-1910s were several that mediated the interests of movie manufacturers, distributors, exhibitors, and the rapidly expanding audience of fans. This writing about the movies arguably played a crucial role in the emergence of American popular film culture, negotiating among national, regional, and local interests to shape fans’ ephemeral experience of moviegoing, their repeated encounters with the fantasy worlds of “movieland,” and their attractions to certain stories and stars. Moreover, many of these weekend pages, daily columns, and film reviews were written and consumed by women, including one teenage girl who compiled a rare surviving set of scrapbooks. Based on extensive original research, Menus for Movieland substantially revises what moviegoing meant in the transition to what we now think of as Hollywood.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

At the turn of the past century, the main function of a newspaper was to offer “menus” by which readers could make sense of modern life and imagine how to order their daily lives. Among those menus in the mid-1910s were several that mediated the interests of movie manufacturers, distributors, exhibitors, and the rapidly expanding audience of fans. This writing about the movies arguably played a crucial role in the emergence of American popular film culture, negotiating among national, regional, and local interests to shape fans’ ephemeral experience of moviegoing, their repeated encounters with the fantasy worlds of “movieland,” and their attractions to certain stories and stars. Moreover, many of these weekend pages, daily columns, and film reviews were written and consumed by women, including one teenage girl who compiled a rare surviving set of scrapbooks. Based on extensive original research, Menus for Movieland substantially revises what moviegoing meant in the transition to what we now think of as Hollywood.

More books from University of California Press

Cover of the book Rifle Reports by Richard Abel
Cover of the book Global Latin America by Richard Abel
Cover of the book Distribution Revolution by Richard Abel
Cover of the book The Failure of Environmental Education (And How We Can Fix It) by Richard Abel
Cover of the book The Women in Blue Helmets by Richard Abel
Cover of the book A History of Cookbooks by Richard Abel
Cover of the book The Ethics of Sightseeing by Richard Abel
Cover of the book State of Health by Richard Abel
Cover of the book Haj to Utopia by Richard Abel
Cover of the book Tokyo Vernacular by Richard Abel
Cover of the book Music and the Elusive Revolution by Richard Abel
Cover of the book God in the Tumult of the Global Square by Richard Abel
Cover of the book Becoming Dr. Q by Richard Abel
Cover of the book K-Pop by Richard Abel
Cover of the book Shenoute of Atripe and the Uses of Poverty by Richard Abel
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy