Merz Memories: Aspects of memorization in Kurt Schwitters' Merzbau

Nonfiction, Art & Architecture, General Art
Cover of the book Merz Memories: Aspects of memorization in Kurt Schwitters' Merzbau by Stefanie Schäfer, GRIN Verlag
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Stefanie Schäfer ISBN: 9783656164586
Publisher: GRIN Verlag Publication: April 3, 2012
Imprint: GRIN Verlag Language: English
Author: Stefanie Schäfer
ISBN: 9783656164586
Publisher: GRIN Verlag
Publication: April 3, 2012
Imprint: GRIN Verlag
Language: English

Seminar paper from the year 2011 in the subject Art - Miscellaneous, grade: 1,2, University of Toronto (Fine Arts), course: Dada and Neo Dada, language: English, abstract: This paper will deal with his most popular and probably biggest work, the Hannover Merzbau. In about 1920, he began constructing the Merzbau, a combination of collage, sculpture and architecture, which emerged in a corner of his studio and eventually took over many parts of the house in Hannover. Schwitters slowly turned his Merz-works into a sculptural architectonic space that widened to almost all the rooms of the house and even the cellar and the balcony. This was the time, when he first called his whole art Merz, in order to separate it from anything else and to form a new idea of art. The Merzbau was a complex formation of requisites linked to his bibliography but also to the contemporary world affairs as well as to German history, artists and thinkers, he considered to be worth getting a little memorial. A majority of the souvenir collection formed little niches, dedicated to his friends. The Merzbau was a very intimate and private construction. It had to be very bound to himself and his memories, because he actually lived there. The construction is often described as 'grottoesque', impressive and full of little souvenirs. Over the years it was always changing and shifting, the different names that Schwitters gave it are very often mixed up with mere elements of the Merzbau but only because he himself never made clear which name referred to which piece. This essay is primarily concerned with a deeper investigation of the various aspects of memory within the Merzbau, than has been made hitherto. It wants to point at the different concepts of memory, incorporated in Merz. Furthermore, I want to point to the several important concepts of memory, one can relate to the Merzbau, which are either produced by the construction itself or by people that deal with it. In this paper will be argued that even the absence of the Merzbau creates memory. The Hannover Sprengel Museum did a recreation of the Merzbau; but how much of it is fiction? The Merzbau has always been exposed to the wildest speculations. There also happened a number of translation errors and the reports are highly contradictory, which probably has increased the emergence of legends. Thus, I will also examine how the memories and documentation of the Merzbau have had an impact on its reception.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2011 in the subject Art - Miscellaneous, grade: 1,2, University of Toronto (Fine Arts), course: Dada and Neo Dada, language: English, abstract: This paper will deal with his most popular and probably biggest work, the Hannover Merzbau. In about 1920, he began constructing the Merzbau, a combination of collage, sculpture and architecture, which emerged in a corner of his studio and eventually took over many parts of the house in Hannover. Schwitters slowly turned his Merz-works into a sculptural architectonic space that widened to almost all the rooms of the house and even the cellar and the balcony. This was the time, when he first called his whole art Merz, in order to separate it from anything else and to form a new idea of art. The Merzbau was a complex formation of requisites linked to his bibliography but also to the contemporary world affairs as well as to German history, artists and thinkers, he considered to be worth getting a little memorial. A majority of the souvenir collection formed little niches, dedicated to his friends. The Merzbau was a very intimate and private construction. It had to be very bound to himself and his memories, because he actually lived there. The construction is often described as 'grottoesque', impressive and full of little souvenirs. Over the years it was always changing and shifting, the different names that Schwitters gave it are very often mixed up with mere elements of the Merzbau but only because he himself never made clear which name referred to which piece. This essay is primarily concerned with a deeper investigation of the various aspects of memory within the Merzbau, than has been made hitherto. It wants to point at the different concepts of memory, incorporated in Merz. Furthermore, I want to point to the several important concepts of memory, one can relate to the Merzbau, which are either produced by the construction itself or by people that deal with it. In this paper will be argued that even the absence of the Merzbau creates memory. The Hannover Sprengel Museum did a recreation of the Merzbau; but how much of it is fiction? The Merzbau has always been exposed to the wildest speculations. There also happened a number of translation errors and the reports are highly contradictory, which probably has increased the emergence of legends. Thus, I will also examine how the memories and documentation of the Merzbau have had an impact on its reception.

More books from GRIN Verlag

Cover of the book Ist Gottes Existenz beweisbar? Die Auseinandersetzung zwischen Anselm von Canterbury (1033-1109) und Gaunilo von Marmoutiers (+1083) by Stefanie Schäfer
Cover of the book Metrologische Angaben in Rechenbüchern der Hansekaufleute Veckinchusen - Eine Auswertung unter Berücksichtigung der kaufmännischen Rechenkunst des 14. Jahrhunderts by Stefanie Schäfer
Cover of the book Die Scheidung der Eltern im Erleben von Kindern und Jugendlichen by Stefanie Schäfer
Cover of the book Darstellung und Bewertung von Ansätzen zur frühzeitigen und fortlaufenden Kostenbeeinflussung im Rahmen eines marktorientierten Zielkostenmanagement by Stefanie Schäfer
Cover of the book Besonderheiten des Jahresabschlusses von Fußballvereinen by Stefanie Schäfer
Cover of the book Character constellation and characterization in Tennessee Williams 'The Glass Menagerie' by Stefanie Schäfer
Cover of the book Der Jakobsweg als mystischer Lehrpfad by Stefanie Schäfer
Cover of the book Probleme bei der Ermittlung des Umfangs der Schattenwirtschaft by Stefanie Schäfer
Cover of the book Kommunikationsmodelle in Shanghai: Selbstdefinition durch individuelle Sprachformen by Stefanie Schäfer
Cover of the book Die Geschichte des Hospizes. Krankheit, Tod und Sterben im Laufe der Jahrhunderte by Stefanie Schäfer
Cover of the book World of Warcraft: Gold Guide für Mists of Pandaria by Stefanie Schäfer
Cover of the book Die neue Nachbarschaftspolitik am Beispiel der Ukraine by Stefanie Schäfer
Cover of the book Autonomes Fahren, selbstfahrende Kraftfahrzeuge und Fahrassistenzsysteme. Auswirkungen auf die Geschäftsmodelle und Geschäftsfelder by Stefanie Schäfer
Cover of the book Media and Democracy. Participation and Depoliticization by Stefanie Schäfer
Cover of the book The Social Class and Cultural Significance of the Bohemian Lifestyle in Conjunction with the Role of the Coffeehouses as the Visibility Sites of New Types of Sociality by Stefanie Schäfer
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy