Mex-Ciné

Mexican Filmmaking, Production, and Consumption in the Twenty-first Century

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book Mex-Ciné by Frederick L Aldama, University of Michigan Press
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Author: Frederick L Aldama ISBN: 9780472029129
Publisher: University of Michigan Press Publication: April 25, 2013
Imprint: University of Michigan Press Language: English
Author: Frederick L Aldama
ISBN: 9780472029129
Publisher: University of Michigan Press
Publication: April 25, 2013
Imprint: University of Michigan Press
Language: English

Mex-Cinéoffers an accessibly written, multidisciplinary investigation of contemporary Mexican cinema that combines industrial, technical, and sociopolitical analysis with analyses of modes of reception through cognitive theory. Mex-Cinéaims to make visible the twenty-first century Mexican film industry, its blueprints, and the cognitive and emotive faculties involved in making and consuming its corpus. A sustained, free-flowing book-length meditation, Mex-Ciné enriches our understanding of the way contemporary Mexican directors use specific technical devices, structures, and characterizations in making films in ways that guide the perceptual, emotive, and cognitive faculties of their ideal audiences, while providing the historical contexts in which these films are made and consumed.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Mex-Cinéoffers an accessibly written, multidisciplinary investigation of contemporary Mexican cinema that combines industrial, technical, and sociopolitical analysis with analyses of modes of reception through cognitive theory. Mex-Cinéaims to make visible the twenty-first century Mexican film industry, its blueprints, and the cognitive and emotive faculties involved in making and consuming its corpus. A sustained, free-flowing book-length meditation, Mex-Ciné enriches our understanding of the way contemporary Mexican directors use specific technical devices, structures, and characterizations in making films in ways that guide the perceptual, emotive, and cognitive faculties of their ideal audiences, while providing the historical contexts in which these films are made and consumed.

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