Milton and the Art of Rhetoric

Fiction & Literature, Literary Theory & Criticism, Poetry History & Criticism, British
Cover of the book Milton and the Art of Rhetoric by Daniel Shore, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Daniel Shore ISBN: 9781139508285
Publisher: Cambridge University Press Publication: July 30, 2012
Imprint: Cambridge University Press Language: English
Author: Daniel Shore
ISBN: 9781139508285
Publisher: Cambridge University Press
Publication: July 30, 2012
Imprint: Cambridge University Press
Language: English

Challenging the conventional view of John Milton as an iconoclast who spoke only to a 'fit audience though few', Daniel Shore argues that Milton was a far more pragmatic writer than previous scholarship has recognized. Summoning evidence from nearly all of his works - poetry and prose alike - Shore asserts that Milton distanced himself from the prescriptions of classical rhetoric to develop new means of persuasion suited to an age distrustful of traditional eloquence. Shore demonstrates that Milton's renunciation of agency, audience, purpose and effect in the prose tracts leads not to quietism or withdrawal, but rather to a reasserted investment in public debate. Shore reveals a writer who is committed to persuasion and yet profoundly critical of his own persuasive strategies. An innovative contribution to the field, this text will appeal to scholars of Milton, seventeenth-century literature, Renaissance literature and the history and theory of rhetoric.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Challenging the conventional view of John Milton as an iconoclast who spoke only to a 'fit audience though few', Daniel Shore argues that Milton was a far more pragmatic writer than previous scholarship has recognized. Summoning evidence from nearly all of his works - poetry and prose alike - Shore asserts that Milton distanced himself from the prescriptions of classical rhetoric to develop new means of persuasion suited to an age distrustful of traditional eloquence. Shore demonstrates that Milton's renunciation of agency, audience, purpose and effect in the prose tracts leads not to quietism or withdrawal, but rather to a reasserted investment in public debate. Shore reveals a writer who is committed to persuasion and yet profoundly critical of his own persuasive strategies. An innovative contribution to the field, this text will appeal to scholars of Milton, seventeenth-century literature, Renaissance literature and the history and theory of rhetoric.

More books from Cambridge University Press

Cover of the book Performance and Culture in Plato's Laws by Daniel Shore
Cover of the book Religion and Rational Theology by Daniel Shore
Cover of the book Water Resilience for Human Prosperity by Daniel Shore
Cover of the book Medieval Affect, Feeling, and Emotion by Daniel Shore
Cover of the book Contract Law by Daniel Shore
Cover of the book Collective Actions by Daniel Shore
Cover of the book Practical Implementation of an Antibiotic Stewardship Program by Daniel Shore
Cover of the book The Cambridge Companion to George Orwell by Daniel Shore
Cover of the book The Cambridge Companion to Schopenhauer by Daniel Shore
Cover of the book I Do Solemnly Swear by Daniel Shore
Cover of the book Early Medieval Britain by Daniel Shore
Cover of the book A Clinician's Guide to Statistics and Epidemiology in Mental Health by Daniel Shore
Cover of the book Ethics and Law for Australian Nurses by Daniel Shore
Cover of the book Renaissance Paratexts by Daniel Shore
Cover of the book Justice and Reciprocity in Aristotle's Political Philosophy by Daniel Shore
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy