Mitchum, Mexico and the Good Neighbours Era

Nonfiction, History, Americas, Mexico, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book Mitchum, Mexico and the Good Neighbours Era by Liam White, Andrews UK
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Liam White ISBN: 9781909183452
Publisher: Andrews UK Publication: February 12, 2014
Imprint: Chaplin Books Language: English
Author: Liam White
ISBN: 9781909183452
Publisher: Andrews UK
Publication: February 12, 2014
Imprint: Chaplin Books
Language: English
Robert Mitchum was one of the most charismatic stars of the ‘classic Hollywood’ era. His screen persona was the essence of cool: tough but vulnerable, accepting of his fate with languid charm and easy humour. His films have often been seen through the lens of film noir, but they had something else in common too: the characters he played in Out of the Past, The Big Steal, His Kind of Woman, Second Chance, Where Danger Lives, and Angel Face seemed irrevocably drawn to Mexico. Mitchum’s sequence of films south of the border coincided with the advent of the ‘golden age’ of Mexico’s own film industry, a new cinematic wave that drew on serious artistic influences from the muralists to Sergei Eisenstein, and that was led by director Emilio Fernández and cinematographer Gabriel Figueroa whose 1943 film María Candelaria, starring former Hollywood siren Dolores del Río, had won a prize at Cannes. Under the Roosevelt administration’s ‘Good Neighbour’ policy - a wartime effort to court friendly Latin American countries - Hollywood’s portrayal of Mexico changed: out went the all-purpose exoticism, where ‘south of the border’ was a metaphor for the loosening of moral and sexual standards, and in came a more nuanced approach. In this authoritative study, Liam White encourages us to take a fresh look at how Mitchum’s films broke with Hollywood convention in the way they depicted Mexico; how Mexico’s own film industry boomed, becoming the first example of ‘world cinema’ to have an impact on the post-War world; and how its success attracted significant US talent - from John Steinbeck to John Ford - to work on bi-national projects.
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Robert Mitchum was one of the most charismatic stars of the ‘classic Hollywood’ era. His screen persona was the essence of cool: tough but vulnerable, accepting of his fate with languid charm and easy humour. His films have often been seen through the lens of film noir, but they had something else in common too: the characters he played in Out of the Past, The Big Steal, His Kind of Woman, Second Chance, Where Danger Lives, and Angel Face seemed irrevocably drawn to Mexico. Mitchum’s sequence of films south of the border coincided with the advent of the ‘golden age’ of Mexico’s own film industry, a new cinematic wave that drew on serious artistic influences from the muralists to Sergei Eisenstein, and that was led by director Emilio Fernández and cinematographer Gabriel Figueroa whose 1943 film María Candelaria, starring former Hollywood siren Dolores del Río, had won a prize at Cannes. Under the Roosevelt administration’s ‘Good Neighbour’ policy - a wartime effort to court friendly Latin American countries - Hollywood’s portrayal of Mexico changed: out went the all-purpose exoticism, where ‘south of the border’ was a metaphor for the loosening of moral and sexual standards, and in came a more nuanced approach. In this authoritative study, Liam White encourages us to take a fresh look at how Mitchum’s films broke with Hollywood convention in the way they depicted Mexico; how Mexico’s own film industry boomed, becoming the first example of ‘world cinema’ to have an impact on the post-War world; and how its success attracted significant US talent - from John Steinbeck to John Ford - to work on bi-national projects.

More books from Andrews UK

Cover of the book The Cup Cake by Liam White
Cover of the book The London Quiz Book by Liam White
Cover of the book The Little Sapling by Liam White
Cover of the book Suspicious Minds by Liam White
Cover of the book Stewie Scraps and the Super Sleigh by Liam White
Cover of the book Canon of The Non-Sacred Writings by Liam White
Cover of the book Bedtime Anecdotes by Liam White
Cover of the book Golem's Shadow by Liam White
Cover of the book From Sixpences to Dollars by Liam White
Cover of the book A Dark Night's Work by Liam White
Cover of the book Our Man in Paris by Liam White
Cover of the book The Secret Journal of Dr Watson by Liam White
Cover of the book Church-going, Going, Gone! by Liam White
Cover of the book 101 Amazing Facts about Dinosaurs by Liam White
Cover of the book Scentsual by Liam White
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy