Modern Drama and the Rhetoric of Theater

Nonfiction, Reference & Language, Language Arts, Public Speaking, Rhetoric, Entertainment, Theatre, Performing Arts
Cover of the book Modern Drama and the Rhetoric of Theater by W. B. Worthen, University of California Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: W. B. Worthen ISBN: 9780520963047
Publisher: University of California Press Publication: February 14, 2015
Imprint: University of California Press Language: English
Author: W. B. Worthen
ISBN: 9780520963047
Publisher: University of California Press
Publication: February 14, 2015
Imprint: University of California Press
Language: English

The history of drama is typically viewed as a series of inert "styles." Tracing British and American stage drama from the 1880s onward, W. B. Worthen instead sees drama as the interplay of text, stage production, and audience.

How are audiences manipulated? What makes drama meaningful? Worthen identifies three rhetorical strategies that distinguish an O'Neill play from a Yeats, or these two from a Brecht. Where realistic theater relies on the "natural" qualities of the stage scene, poetic theater uses the poet's word, the text, to control performance. Modern political theater, by contrast, openly places the audience at the center of its rhetorical designs, and the drama of the postwar period is shown to develop a range of post-Brechtian practices that make the audience the subject of the play.

Worthen's book deserves the attention of any literary critic or serious theatergoer interested in the relationship between modern drama and the spectator.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The history of drama is typically viewed as a series of inert "styles." Tracing British and American stage drama from the 1880s onward, W. B. Worthen instead sees drama as the interplay of text, stage production, and audience.

How are audiences manipulated? What makes drama meaningful? Worthen identifies three rhetorical strategies that distinguish an O'Neill play from a Yeats, or these two from a Brecht. Where realistic theater relies on the "natural" qualities of the stage scene, poetic theater uses the poet's word, the text, to control performance. Modern political theater, by contrast, openly places the audience at the center of its rhetorical designs, and the drama of the postwar period is shown to develop a range of post-Brechtian practices that make the audience the subject of the play.

Worthen's book deserves the attention of any literary critic or serious theatergoer interested in the relationship between modern drama and the spectator.

More books from University of California Press

Cover of the book Blue Jeans by W. B. Worthen
Cover of the book The Face of the Earth by W. B. Worthen
Cover of the book Margins of the Market by W. B. Worthen
Cover of the book My Favorite Burgundies by W. B. Worthen
Cover of the book It's Not Like I'm Poor by W. B. Worthen
Cover of the book How We Forgot the Cold War by W. B. Worthen
Cover of the book Invisible Families by W. B. Worthen
Cover of the book The Final Pagan Generation by W. B. Worthen
Cover of the book American Islamophobia by W. B. Worthen
Cover of the book Why Calories Count by W. B. Worthen
Cover of the book That Religion in Which All Men Agree by W. B. Worthen
Cover of the book Cheap Meat by W. B. Worthen
Cover of the book Moral Wages by W. B. Worthen
Cover of the book What Is Cinema? Volume II by W. B. Worthen
Cover of the book Jazz/Not Jazz by W. B. Worthen
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy