Modernism and the Materiality of Texts

Fiction & Literature, Literary Theory & Criticism, British
Cover of the book Modernism and the Materiality of Texts by Eyal Amiran, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Eyal Amiran ISBN: 9781316710227
Publisher: Cambridge University Press Publication: July 27, 2016
Imprint: Cambridge University Press Language: English
Author: Eyal Amiran
ISBN: 9781316710227
Publisher: Cambridge University Press
Publication: July 27, 2016
Imprint: Cambridge University Press
Language: English

Modernism and the Materiality of Texts argues that elements of modernist texts that are meaningless in themselves are motivated by their authors' psychic crises. Physical features of texts that interest modernist writers, such as sound patterns and anagrams, cannot be dissociated from abstraction or made a refuge from social crisis; instead, they reflect colonial and racial anxieties of the period. Rudyard Kipling's fear that he is indistinguishable from empire subjects, J. M. Barrie's object-relations theater of infantile separation, and Virginia Woolf's dismembered anagram self are performed by the physical text and produce a new understanding of textuality. In readings that also include diverse works by Gertrude Stein and Alice Toklas, P. G. Wodehouse and Conan Doyle, J. M. Barrie, George Herriman, and Sigmund Freud, this study produces a new reading of modernism's psychological text and of literary constructions of materiality in the period.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Modernism and the Materiality of Texts argues that elements of modernist texts that are meaningless in themselves are motivated by their authors' psychic crises. Physical features of texts that interest modernist writers, such as sound patterns and anagrams, cannot be dissociated from abstraction or made a refuge from social crisis; instead, they reflect colonial and racial anxieties of the period. Rudyard Kipling's fear that he is indistinguishable from empire subjects, J. M. Barrie's object-relations theater of infantile separation, and Virginia Woolf's dismembered anagram self are performed by the physical text and produce a new understanding of textuality. In readings that also include diverse works by Gertrude Stein and Alice Toklas, P. G. Wodehouse and Conan Doyle, J. M. Barrie, George Herriman, and Sigmund Freud, this study produces a new reading of modernism's psychological text and of literary constructions of materiality in the period.

More books from Cambridge University Press

Cover of the book European Consensus and the Legitimacy of the European Court of Human Rights by Eyal Amiran
Cover of the book The Cambridge Companion to Ibsen by Eyal Amiran
Cover of the book Small Arms Survey 2013 by Eyal Amiran
Cover of the book An Algebraic Introduction to K-Theory by Eyal Amiran
Cover of the book The Transformation of Europe by Eyal Amiran
Cover of the book Public Procurement Regulation in Africa by Eyal Amiran
Cover of the book Childhood Programs and Practices in the First Decade of Life by Eyal Amiran
Cover of the book The Essential Guide to Effect Sizes by Eyal Amiran
Cover of the book Classical Solutions in Quantum Field Theory by Eyal Amiran
Cover of the book Parties, Movements, and Democracy in the Developing World by Eyal Amiran
Cover of the book The Value of Milton by Eyal Amiran
Cover of the book Resolving Controversy in the European Union by Eyal Amiran
Cover of the book Cavernous Malformations of the Nervous System by Eyal Amiran
Cover of the book Exact Space-Times in Einstein's General Relativity by Eyal Amiran
Cover of the book Digital Signal Transmission by Eyal Amiran
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy