Monty Python, Shakespeare and English Renaissance Drama

Nonfiction, Entertainment, Performing Arts, Television, Theatre
Cover of the book Monty Python, Shakespeare and English Renaissance Drama by Darl Larsen, McFarland & Company, Inc., Publishers
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Darl Larsen ISBN: 9780786481095
Publisher: McFarland & Company, Inc., Publishers Publication: June 28, 2010
Imprint: Language: English
Author: Darl Larsen
ISBN: 9780786481095
Publisher: McFarland & Company, Inc., Publishers
Publication: June 28, 2010
Imprint:
Language: English

At first consideration, it would seem that Shakespeare and Monty Python have very little in common other than that they’re both English. Shakespeare wrote during the reign of a politically puissant Elizabeth, while Python flourished under an Elizabeth figurehead. Shakespeare wrote for rowdy theatre whereas Python toiled at a remove, for television. Shakespeare is The Bard; Python is-well-not. Despite all of these differences, Shakespeare and Monty are in fact related; this work considers both the differences and similarities between the two. It discusses Shakespeare’s status as England’s National Poet and Python’s similar elevation. It explores various aspects of theatricality (troupe configurations, casting and writing choices, allusions to classical literature) used by Shakespeare, Ben Jonson and Monty Python. It also covers the uses and abuses of history in Shakespeare and Python; humor, especially satire, in Shakespeare, Jonson, Dekker and Python; and the concept of the “Other” in Shakespearean and Pythonesque creations.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

At first consideration, it would seem that Shakespeare and Monty Python have very little in common other than that they’re both English. Shakespeare wrote during the reign of a politically puissant Elizabeth, while Python flourished under an Elizabeth figurehead. Shakespeare wrote for rowdy theatre whereas Python toiled at a remove, for television. Shakespeare is The Bard; Python is-well-not. Despite all of these differences, Shakespeare and Monty are in fact related; this work considers both the differences and similarities between the two. It discusses Shakespeare’s status as England’s National Poet and Python’s similar elevation. It explores various aspects of theatricality (troupe configurations, casting and writing choices, allusions to classical literature) used by Shakespeare, Ben Jonson and Monty Python. It also covers the uses and abuses of history in Shakespeare and Python; humor, especially satire, in Shakespeare, Jonson, Dekker and Python; and the concept of the “Other” in Shakespearean and Pythonesque creations.

More books from McFarland & Company, Inc., Publishers

Cover of the book Photo Recon Became Fighter Duty by Darl Larsen
Cover of the book The Chinese Information War by Darl Larsen
Cover of the book The Making of an Abolitionist by Darl Larsen
Cover of the book Town and Gown Relations by Darl Larsen
Cover of the book From Lumumba to Gbagbo by Darl Larsen
Cover of the book Gothic Stories Within Stories by Darl Larsen
Cover of the book The Mistaken History of the Korean War by Darl Larsen
Cover of the book Polo in Argentina by Darl Larsen
Cover of the book Self-Taught, Outsider and Folk Art by Darl Larsen
Cover of the book The Vampire Goes to College by Darl Larsen
Cover of the book The Wankel Rotary Engine by Darl Larsen
Cover of the book Robert Pierpoint by Darl Larsen
Cover of the book LGBTQ Young Adult Fiction by Darl Larsen
Cover of the book The United States Merchant Marine in World War I by Darl Larsen
Cover of the book Integrating the Orioles by Darl Larsen
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy