Spoof. A Thousand-Guinea Novel. New! Fascinating! Perplexing! CHAPTER I Readers are requested to note that this novel has taken our special prize of a cheque for a thousand guineas. This alone guarantees for all intelligent readers a palpitating interest in every line of it. Among the thousands of MSS. which reached us—many of them coming in carts early in the morning, and moving in a dense phalanx, indistinguishable from the Covent Garden Market waggons; Others pouring down our coal-chute during the working hours of the day; and Others again being slipped surreptitiously into our letter-box by pale, timid girls, scarcely more than children, after nightfall (in fact many of them came in their night-gowns),—this manuscript alone was the sole one—in fact the only one—to receive the prize of a cheque of a thousand guineas. To Other competitors we may have given, inadvertently perhaps, a bag of sovereigns or a string of pearls, but to this story alone is awarded the first prize by the unanimous decision of our judges. When we say that the latter body included two members of the Cabinet, two Lords of the Admiralty, and two bishops, with power in case of dispute to send all the MSS. to the Czar of Russia, our readers will breathe a sigh of relief to learn that the decision was instant and unanimous. Each one of them, in reply to our telegram, answered immediately SPOOF. This novel represents the last word in up-to-date fiction. It is well known that the modern novel has got far beyond the point of mere story-telling. The childish attempt to INTEREST the reader has long since been abandoned by all the best writers. They refuse to do it. The modern novel must convey a message, or else it must paint a picture, or remove a veil, or open a new chapter in human psychology. Otherwise it is no good. SPOOF does all of these things. The reader rises from its perusal perplexed, troubled, and yet so filled with information that rising itself is a difficulty
Spoof. A Thousand-Guinea Novel. New! Fascinating! Perplexing! CHAPTER I Readers are requested to note that this novel has taken our special prize of a cheque for a thousand guineas. This alone guarantees for all intelligent readers a palpitating interest in every line of it. Among the thousands of MSS. which reached us—many of them coming in carts early in the morning, and moving in a dense phalanx, indistinguishable from the Covent Garden Market waggons; Others pouring down our coal-chute during the working hours of the day; and Others again being slipped surreptitiously into our letter-box by pale, timid girls, scarcely more than children, after nightfall (in fact many of them came in their night-gowns),—this manuscript alone was the sole one—in fact the only one—to receive the prize of a cheque of a thousand guineas. To Other competitors we may have given, inadvertently perhaps, a bag of sovereigns or a string of pearls, but to this story alone is awarded the first prize by the unanimous decision of our judges. When we say that the latter body included two members of the Cabinet, two Lords of the Admiralty, and two bishops, with power in case of dispute to send all the MSS. to the Czar of Russia, our readers will breathe a sigh of relief to learn that the decision was instant and unanimous. Each one of them, in reply to our telegram, answered immediately SPOOF. This novel represents the last word in up-to-date fiction. It is well known that the modern novel has got far beyond the point of mere story-telling. The childish attempt to INTEREST the reader has long since been abandoned by all the best writers. They refuse to do it. The modern novel must convey a message, or else it must paint a picture, or remove a veil, or open a new chapter in human psychology. Otherwise it is no good. SPOOF does all of these things. The reader rises from its perusal perplexed, troubled, and yet so filled with information that rising itself is a difficulty