Mr Modernsky: How Stravinsky Survived Schoenberg

How Stravinsky Survived Schoenberg

Nonfiction, Entertainment, Music, Theory & Criticism, Theory, Fiction & Literature, Drama
Cover of the book Mr Modernsky: How Stravinsky Survived Schoenberg by Meredith Oakes, Oberon Books
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Meredith Oakes ISBN: 9781849433754
Publisher: Oberon Books Publication: June 18, 2012
Imprint: Oberon Books Language: English
Author: Meredith Oakes
ISBN: 9781849433754
Publisher: Oberon Books
Publication: June 18, 2012
Imprint: Oberon Books
Language: English

Mr Modernsky tells a story about two heavyweights of twentieth-century classical music: Igor Stravinsky and Arnold Schoenberg.It traces the gradual change there has been in the way these two great rivals are perceived, looks in their music for the reasons and reflects on the nature of modernity in art and the sometimes pernicious effects of ideology. Meredith Oakes explores the tension between futuristic and historical elements in the work of these parallel artists and asks: is modernity merely about technical innovation? Must progress always mean exclusion of the past?

'...a personal reflection on Oakes’s own changing attitude to music...the discussion of Wagner’s technique and its relevance to Schoenberg in the same section is so absorbing that the reader is carried along. It’s notoriously difficult to write about what music sounds like, but Oakes has some delightful turns of phrase.' Classical Music Magazine

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Mr Modernsky tells a story about two heavyweights of twentieth-century classical music: Igor Stravinsky and Arnold Schoenberg.It traces the gradual change there has been in the way these two great rivals are perceived, looks in their music for the reasons and reflects on the nature of modernity in art and the sometimes pernicious effects of ideology. Meredith Oakes explores the tension between futuristic and historical elements in the work of these parallel artists and asks: is modernity merely about technical innovation? Must progress always mean exclusion of the past?

'...a personal reflection on Oakes’s own changing attitude to music...the discussion of Wagner’s technique and its relevance to Schoenberg in the same section is so absorbing that the reader is carried along. It’s notoriously difficult to write about what music sounds like, but Oakes has some delightful turns of phrase.' Classical Music Magazine

More books from Oberon Books

Cover of the book Hyperlynx by Meredith Oakes
Cover of the book Richard Bean: Plays Two by Meredith Oakes
Cover of the book Monkey! by Meredith Oakes
Cover of the book The Magic Tree by Meredith Oakes
Cover of the book The Diver by Meredith Oakes
Cover of the book Every Brilliant Thing by Meredith Oakes
Cover of the book Iphigenia in Splott by Meredith Oakes
Cover of the book Hercules by Meredith Oakes
Cover of the book The Oberon Book of Comic Monologues for Women: Volume Two by Meredith Oakes
Cover of the book Glyn Maxwell: Plays Two by Meredith Oakes
Cover of the book A Doll's House by Meredith Oakes
Cover of the book Double Nugget by Meredith Oakes
Cover of the book John Mortimer: Plays One by Meredith Oakes
Cover of the book WHITE by Meredith Oakes
Cover of the book Scenes from the Back of Beyond by Meredith Oakes
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy