Music and Politics in San Francisco

From the 1906 Quake to the Second World War

Nonfiction, Entertainment, Music, Music Styles, Classical & Opera, Classical
Cover of the book Music and Politics in San Francisco by Leta E. Miller, University of California Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Leta E. Miller ISBN: 9780520950092
Publisher: University of California Press Publication: October 4, 2011
Imprint: University of California Press Language: English
Author: Leta E. Miller
ISBN: 9780520950092
Publisher: University of California Press
Publication: October 4, 2011
Imprint: University of California Press
Language: English

This lively history immerses the reader in San Francisco’s musical life during the first half of the twentieth century, showing how a fractious community overcame virulent partisanship to establish cultural monuments such as the San Francisco Symphony (1911) and Opera (1923). Leta E. Miller draws on primary source material and first-hand knowledge of the music to argue that a utopian vision counterbalanced partisan interests and inspired cultural endeavors, including the San Francisco Conservatory, two world fairs, and America’s first municipally owned opera house. Miller demonstrates that rampant racism, initially directed against Chinese laborers (and their music), reappeared during the 1930s in the guise of labor unrest as WPA music activities exploded in vicious battles between administrators and artists, and African American and white jazz musicians competed for jobs in nightclubs.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This lively history immerses the reader in San Francisco’s musical life during the first half of the twentieth century, showing how a fractious community overcame virulent partisanship to establish cultural monuments such as the San Francisco Symphony (1911) and Opera (1923). Leta E. Miller draws on primary source material and first-hand knowledge of the music to argue that a utopian vision counterbalanced partisan interests and inspired cultural endeavors, including the San Francisco Conservatory, two world fairs, and America’s first municipally owned opera house. Miller demonstrates that rampant racism, initially directed against Chinese laborers (and their music), reappeared during the 1930s in the guise of labor unrest as WPA music activities exploded in vicious battles between administrators and artists, and African American and white jazz musicians competed for jobs in nightclubs.

More books from University of California Press

Cover of the book Racial Formation in the Twenty-First Century by Leta E. Miller
Cover of the book Traveling the 38th Parallel by Leta E. Miller
Cover of the book Lois Weber in Early Hollywood by Leta E. Miller
Cover of the book Film Criticism, the Cold War, and the Blacklist by Leta E. Miller
Cover of the book Following the Leader by Leta E. Miller
Cover of the book Europe's Promise by Leta E. Miller
Cover of the book Experimentalism Otherwise by Leta E. Miller
Cover of the book Haiti, History, and the Gods by Leta E. Miller
Cover of the book Teardown by Leta E. Miller
Cover of the book Possessing Nature by Leta E. Miller
Cover of the book Life in Crisis by Leta E. Miller
Cover of the book Go Nation by Leta E. Miller
Cover of the book States of Delinquency by Leta E. Miller
Cover of the book Ride, Boldly Ride by Leta E. Miller
Cover of the book Pixar and the Aesthetic Imagination by Leta E. Miller
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy