Music in a New Found Land

Themes and Developments in the History of American Music

Nonfiction, Entertainment, Music, Theory & Criticism, History & Criticism, Reference, History
Cover of the book Music in a New Found Land by Manfred Holthus, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Manfred Holthus ISBN: 9781351504188
Publisher: Taylor and Francis Publication: July 12, 2017
Imprint: Routledge Language: English
Author: Manfred Holthus
ISBN: 9781351504188
Publisher: Taylor and Francis
Publication: July 12, 2017
Imprint: Routledge
Language: English

The subject of this book is accurately defined by its subtitle. Music in a New Found Land does not pretend to be a comprehensive history of American music. Nor does Mellers strive to catalog what he considers to be authentic American music. Instead, he deals, in some detail, with comparatively few composers, most of whom have wellestablished reputations.

It has always been difficult to separate American music from its immediate relevance to the twentieth century. Mellers' theme involves the relationship between "art" music, jazz and pop music; he sees the segregation of these genres as both illogical and artifi cial. If the pop music of Tin Pan Alley may be anti-art, it has also produced Gershwin, Ellington, and composing improvisers such as Louis Armstrong, Charlie Parker, and Miles Davis.

The study of American music is as relevant into any inquiry into a national culture as the study of American literature and painting. This book contains a large number of quotations from American writers, because Mellers thought American sensibility should parallel, reinforce, and comment on American music. In sum, this is the closest available one-volume history of American music, and a window into American culture.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The subject of this book is accurately defined by its subtitle. Music in a New Found Land does not pretend to be a comprehensive history of American music. Nor does Mellers strive to catalog what he considers to be authentic American music. Instead, he deals, in some detail, with comparatively few composers, most of whom have wellestablished reputations.

It has always been difficult to separate American music from its immediate relevance to the twentieth century. Mellers' theme involves the relationship between "art" music, jazz and pop music; he sees the segregation of these genres as both illogical and artifi cial. If the pop music of Tin Pan Alley may be anti-art, it has also produced Gershwin, Ellington, and composing improvisers such as Louis Armstrong, Charlie Parker, and Miles Davis.

The study of American music is as relevant into any inquiry into a national culture as the study of American literature and painting. This book contains a large number of quotations from American writers, because Mellers thought American sensibility should parallel, reinforce, and comment on American music. In sum, this is the closest available one-volume history of American music, and a window into American culture.

More books from Taylor and Francis

Cover of the book Waste Management and Sustainable Consumption by Manfred Holthus
Cover of the book The Development of the Mechanics' Institute Movement in Britain and Beyond by Manfred Holthus
Cover of the book Understanding Korean Public Administration by Manfred Holthus
Cover of the book Governing Through Globalised Crime by Manfred Holthus
Cover of the book Future First by Manfred Holthus
Cover of the book Deception in Selection by Manfred Holthus
Cover of the book Organizational Change by Manfred Holthus
Cover of the book Understanding the Primary School by Manfred Holthus
Cover of the book Introducción a la lingüística hispánica actual by Manfred Holthus
Cover of the book Can the Free Market Pick Winners?: What Determines Investment by Manfred Holthus
Cover of the book Trauma-Informed Care by Manfred Holthus
Cover of the book A Philosophy in Outline (Routledge Revivals) by Manfred Holthus
Cover of the book Textual Practice by Manfred Holthus
Cover of the book Engaging Students with Music Education by Manfred Holthus
Cover of the book Magic and the Supernatural in Fourth Century Syria by Manfred Holthus
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy