Music in Shakespeare

A Dictionary

Fiction & Literature, Literary Theory & Criticism
Cover of the book Music in Shakespeare by Professor Christopher R. Wilson, Dr Michela Calore, Bloomsbury Publishing
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Author: Professor Christopher R. Wilson, Dr Michela Calore ISBN: 9781472557520
Publisher: Bloomsbury Publishing Publication: February 27, 2014
Imprint: The Arden Shakespeare Language: English
Author: Professor Christopher R. Wilson, Dr Michela Calore
ISBN: 9781472557520
Publisher: Bloomsbury Publishing
Publication: February 27, 2014
Imprint: The Arden Shakespeare
Language: English

With an A-Z of over 300 entries, Music in Shakespeare is the most comprehensive study of all the musical terms found in Shakespeare's complete works. It includes a definition of each musical term in its
historical and theoretical context, and explores the diverse extent of musical imagery across the full range of Shakespeare's dramatic and poetic work, as well as analysing the usage of instruments and sound effects on the Shakespearean stage.

This is a comprehensive reference guide for scholars and students with interests in the thematic and allegorical relevance of music in Shakespeare, and the history of performance. Identifying all musical terms found in the Shakespeare canon, it will also be of use to the growing number of directors and actors concerned with recovering the staging conditions of the early modern theatre.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

With an A-Z of over 300 entries, Music in Shakespeare is the most comprehensive study of all the musical terms found in Shakespeare's complete works. It includes a definition of each musical term in its
historical and theoretical context, and explores the diverse extent of musical imagery across the full range of Shakespeare's dramatic and poetic work, as well as analysing the usage of instruments and sound effects on the Shakespearean stage.

This is a comprehensive reference guide for scholars and students with interests in the thematic and allegorical relevance of music in Shakespeare, and the history of performance. Identifying all musical terms found in the Shakespeare canon, it will also be of use to the growing number of directors and actors concerned with recovering the staging conditions of the early modern theatre.

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