Music in the Georgian Novel

Nonfiction, Entertainment, Music, Fiction & Literature, Literary Theory & Criticism, Reference & Language, Education & Teaching
Cover of the book Music in the Georgian Novel by Pierre Dubois, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Pierre Dubois ISBN: 9781316349533
Publisher: Cambridge University Press Publication: August 13, 2015
Imprint: Cambridge University Press Language: English
Author: Pierre Dubois
ISBN: 9781316349533
Publisher: Cambridge University Press
Publication: August 13, 2015
Imprint: Cambridge University Press
Language: English

Music was an essential aspect of life in eighteenth-century Britain and plays a crucial role in the literary strategies of Georgian novels. This book is the first to investigate the literary representation of music in these works and explores the structural, dramatic and metaphorical roles of music in novels by authors ranging from Richardson to Austen. Pierre Dubois explores the meaning of 'musical scenes' by framing them within contemporary cultural issues, such as the critique of Italian opera or the theoretical shift from mimesis to the alleged autonomy and mystery of music. Focusing upon both eighteenth-century theories of music, and the way specific musical instruments were perceived in the collective imagination, Dubois suggests new interpretative perspectives for a whole range of novels of the Georgian era. This book will be of interest to a wide readership interested not only in literature, but also in music and cultural history at large.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Music was an essential aspect of life in eighteenth-century Britain and plays a crucial role in the literary strategies of Georgian novels. This book is the first to investigate the literary representation of music in these works and explores the structural, dramatic and metaphorical roles of music in novels by authors ranging from Richardson to Austen. Pierre Dubois explores the meaning of 'musical scenes' by framing them within contemporary cultural issues, such as the critique of Italian opera or the theoretical shift from mimesis to the alleged autonomy and mystery of music. Focusing upon both eighteenth-century theories of music, and the way specific musical instruments were perceived in the collective imagination, Dubois suggests new interpretative perspectives for a whole range of novels of the Georgian era. This book will be of interest to a wide readership interested not only in literature, but also in music and cultural history at large.

More books from Cambridge University Press

Cover of the book The Cambridge Companion to C. S. Lewis by Pierre Dubois
Cover of the book Quantum Theory of Materials by Pierre Dubois
Cover of the book The Rise of the Western World by Pierre Dubois
Cover of the book Computability and Logic by Pierre Dubois
Cover of the book Leo Strauss and the Theologico-Political Problem by Pierre Dubois
Cover of the book Exploring the Origin, Extent, and Future of Life by Pierre Dubois
Cover of the book An Introduction to Sparse Stochastic Processes by Pierre Dubois
Cover of the book Abbasid Belles Lettres by Pierre Dubois
Cover of the book The Emergence of Autonomy in Kant's Moral Philosophy by Pierre Dubois
Cover of the book Sacrifice and Gender in Biblical Law by Pierre Dubois
Cover of the book The Cambridge Companion to Fiction in the Romantic Period by Pierre Dubois
Cover of the book The Logic of Securities Law by Pierre Dubois
Cover of the book Allegories of Farming from Greece and Rome by Pierre Dubois
Cover of the book Philosophy and the Foundations of Dynamics by Pierre Dubois
Cover of the book Kant's Critique of Pure Reason by Pierre Dubois
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy