Music Technology

Nonfiction, Entertainment, Music, Music Styles, Electronic & Computer, Instruments & Instruction
Cover of the book Music Technology by Julio d'Escriván, Cambridge University Press
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Author: Julio d'Escriván ISBN: 9781139152808
Publisher: Cambridge University Press Publication: November 24, 2011
Imprint: Cambridge University Press Language: English
Author: Julio d'Escriván
ISBN: 9781139152808
Publisher: Cambridge University Press
Publication: November 24, 2011
Imprint: Cambridge University Press
Language: English

Emphasising the creative aspect of music technology, this introduction sets out an overview of the field for music students in a non-scientific and straightforward way. Engaging and user-friendly, the book covers studio concepts: basic audio and the studio workflow, including audio and MIDI recording. It explores synthesisers, samplers and drum machines as well as basic concepts for electronic performance. In considering the role of the DJ, the book addresses remixing and production, drawing upon many examples from the popular music repertoire as well as looking at the studio as an experimental laboratory. The creative workflow involved in music for media is discussed, as well as controllers for performance and the basics of hacking electronics for music. The book as a whole reflects the many exciting areas found today in music technology and aims to set aspiring musicians off on a journey of discovery in electronic music.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Emphasising the creative aspect of music technology, this introduction sets out an overview of the field for music students in a non-scientific and straightforward way. Engaging and user-friendly, the book covers studio concepts: basic audio and the studio workflow, including audio and MIDI recording. It explores synthesisers, samplers and drum machines as well as basic concepts for electronic performance. In considering the role of the DJ, the book addresses remixing and production, drawing upon many examples from the popular music repertoire as well as looking at the studio as an experimental laboratory. The creative workflow involved in music for media is discussed, as well as controllers for performance and the basics of hacking electronics for music. The book as a whole reflects the many exciting areas found today in music technology and aims to set aspiring musicians off on a journey of discovery in electronic music.

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