Musical Life in Guyana

History and Politics of Controlling Creativity

Nonfiction, Entertainment, Music, Theory & Criticism, Ethnomusicology, History, Americas, Caribbean & West Indies, Social & Cultural Studies, Social Science
Cover of the book Musical Life in Guyana by Vibert C. Cambridge, University Press of Mississippi
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Vibert C. Cambridge ISBN: 9781626746442
Publisher: University Press of Mississippi Publication: May 21, 2015
Imprint: University Press of Mississippi Language: English
Author: Vibert C. Cambridge
ISBN: 9781626746442
Publisher: University Press of Mississippi
Publication: May 21, 2015
Imprint: University Press of Mississippi
Language: English

Musical Life in Guyana is the first in-depth study of Guyanese musical life. It is also a richly detailed description of the social, economic, and political conditions that have encouraged and sometimes discouraged musical and cultural creativity in Guyana. The book contributes to the study of the interactions between the policies and practices by national governments and musical communities in the Caribbean.

Vibert C. Cambridge explores these interactions in Guyana during the three political eras that the society experienced as it moved from being a British colony to an independent nation. The first era to be considered is the period of mature colonial governance, guided by the dictates of "new imperialism," which extended from 1900 to 1953. The second era, the period of internal self-government and the preparation for independence, extends from 1953, the year of the first general elections under universal adult suffrage, to 1966, the year when the colony gained its political independence. The third phase, 1966 to 2000, describes the early postcolonial era.

Cambridge reveals how the issues of race, class, gender, and ideology deeply influenced who in Guyanese multicultural society obtained access to musical instruction and media outlets and thus who received recognition. He also describes the close connections between Guyanese musicians and Caribbean artists from throughout the region and traces the exodus of Guyanese musicians to the great cities of the world, a theme often neglected in Caribbean studies. The book concludes that the practices of governance across the twentieth century exerted disproportionate influence in the creation, production, distribution, and consumption of music.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Musical Life in Guyana is the first in-depth study of Guyanese musical life. It is also a richly detailed description of the social, economic, and political conditions that have encouraged and sometimes discouraged musical and cultural creativity in Guyana. The book contributes to the study of the interactions between the policies and practices by national governments and musical communities in the Caribbean.

Vibert C. Cambridge explores these interactions in Guyana during the three political eras that the society experienced as it moved from being a British colony to an independent nation. The first era to be considered is the period of mature colonial governance, guided by the dictates of "new imperialism," which extended from 1900 to 1953. The second era, the period of internal self-government and the preparation for independence, extends from 1953, the year of the first general elections under universal adult suffrage, to 1966, the year when the colony gained its political independence. The third phase, 1966 to 2000, describes the early postcolonial era.

Cambridge reveals how the issues of race, class, gender, and ideology deeply influenced who in Guyanese multicultural society obtained access to musical instruction and media outlets and thus who received recognition. He also describes the close connections between Guyanese musicians and Caribbean artists from throughout the region and traces the exodus of Guyanese musicians to the great cities of the world, a theme often neglected in Caribbean studies. The book concludes that the practices of governance across the twentieth century exerted disproportionate influence in the creation, production, distribution, and consumption of music.

More books from University Press of Mississippi

Cover of the book Lines of Scrimmage by Vibert C. Cambridge
Cover of the book The Hardest Deal of All by Vibert C. Cambridge
Cover of the book Faulkner and Formalism by Vibert C. Cambridge
Cover of the book Godfather of the Music Business by Vibert C. Cambridge
Cover of the book Mississippi Entrepreneurs by Vibert C. Cambridge
Cover of the book D. A. Pennebaker by Vibert C. Cambridge
Cover of the book Campus Traditions by Vibert C. Cambridge
Cover of the book Jazz and Death by Vibert C. Cambridge
Cover of the book Swing, That Modern Sound by Vibert C. Cambridge
Cover of the book From Daniel Boone to Captain America by Vibert C. Cambridge
Cover of the book Swamp Rat by Vibert C. Cambridge
Cover of the book He Stopped Loving Her Today by Vibert C. Cambridge
Cover of the book Baz Luhrmann by Vibert C. Cambridge
Cover of the book Eyes of an Eagle by Vibert C. Cambridge
Cover of the book Black Intellectual Thought in Modern America by Vibert C. Cambridge
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy