Musical Response in the Early Modern Playhouse, 1603–1625

Fiction & Literature, Literary Theory & Criticism, British, Nonfiction, Entertainment, Performing Arts
Cover of the book Musical Response in the Early Modern Playhouse, 1603–1625 by Simon Smith, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Simon Smith ISBN: 9781316850763
Publisher: Cambridge University Press Publication: September 7, 2017
Imprint: Cambridge University Press Language: English
Author: Simon Smith
ISBN: 9781316850763
Publisher: Cambridge University Press
Publication: September 7, 2017
Imprint: Cambridge University Press
Language: English

Presupposing no specialist musical knowledge, this book offers a fresh perspective on the dramatic role of music in the plays of Shakespeare and his early seventeenth-century contemporaries. Simon Smith argues that many plays used music as a dramatic tool, inviting culturally familiar responses to music from playgoers. Music cues regularly encouraged audiences to listen, look, imagine or remember at dramatically critical moments, shaping meaning in plays from The Winter's Tale to A Game at Chess, and making theatregoers active and playful participants in playhouse performance. Drawing upon sensory studies, theatre history, material texts, musicology and close reading, Smith argues for the importance of music in familiar and less well-known plays including Antony and Cleopatra, Othello, The Revenger's Tragedy, Sophonisba, The Spanish Gypsy and A Woman Killed With Kindness.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Presupposing no specialist musical knowledge, this book offers a fresh perspective on the dramatic role of music in the plays of Shakespeare and his early seventeenth-century contemporaries. Simon Smith argues that many plays used music as a dramatic tool, inviting culturally familiar responses to music from playgoers. Music cues regularly encouraged audiences to listen, look, imagine or remember at dramatically critical moments, shaping meaning in plays from The Winter's Tale to A Game at Chess, and making theatregoers active and playful participants in playhouse performance. Drawing upon sensory studies, theatre history, material texts, musicology and close reading, Smith argues for the importance of music in familiar and less well-known plays including Antony and Cleopatra, Othello, The Revenger's Tragedy, Sophonisba, The Spanish Gypsy and A Woman Killed With Kindness.

More books from Cambridge University Press

Cover of the book Quaker Constitutionalism and the Political Thought of John Dickinson by Simon Smith
Cover of the book Pearls and Pitfalls in Musculoskeletal Imaging by Simon Smith
Cover of the book Masculinity, Militarism and Eighteenth-Century Culture, 1689–1815 by Simon Smith
Cover of the book Modeling Monetary Economies by Simon Smith
Cover of the book The Financial System, Financial Regulation and Central Bank Policy by Simon Smith
Cover of the book Test Tubes for Global Intellectual Property Issues by Simon Smith
Cover of the book How to Integrate It by Simon Smith
Cover of the book The Founding of Aesthetics in the German Enlightenment by Simon Smith
Cover of the book Modern Compiler Implementation in C by Simon Smith
Cover of the book Ethics and the Quest for Wisdom by Simon Smith
Cover of the book The Cambridge Companion to the American Modernist Novel by Simon Smith
Cover of the book Practical Geriatric Oncology by Simon Smith
Cover of the book The Great Divergence Reconsidered by Simon Smith
Cover of the book The Making of Friedrich Nietzsche by Simon Smith
Cover of the book Migration and National Identity in South Africa, 1860–2010 by Simon Smith
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy