My Father and Atticus Finch: A Lawyer's Fight for Justice in 1930s Alabama

Nonfiction, Social & Cultural Studies, Social Science, Discrimination & Race Relations, Biography & Memoir
Cover of the book My Father and Atticus Finch: A Lawyer's Fight for Justice in 1930s Alabama by Joseph Madison Beck, W. W. Norton & Company
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Joseph Madison Beck ISBN: 9780393285819
Publisher: W. W. Norton & Company Publication: June 20, 2016
Imprint: W. W. Norton & Company Language: English
Author: Joseph Madison Beck
ISBN: 9780393285819
Publisher: W. W. Norton & Company
Publication: June 20, 2016
Imprint: W. W. Norton & Company
Language: English

The story of Foster Beck, the author’s late father, whose defense of a black man accused of rape in 1930s Alabama foreshadowed the trial at the heart of To Kill a Mockingbird.

As a child, Joseph Beck heard the stories—when other lawyers came up with excuses, his father courageously defended a black man charged with raping a white woman.

Now a lawyer himself, Beck reconstructs his father's role in State of Alabama vs. Charles White, Alias, a trial that was much publicized when Harper Lee was twelve years old.

On the day of Foster Beck’s client’s arrest, the leading local newspaper reported, under a page-one headline, that "a wandering negro fortune teller giving the name Charles White" had "volunteered a detailed confession of the attack" of a local white girl. However, Foster Beck concluded that the confession was coerced. The same article claimed that "the negro accomplished his dastardly purpose," but as in To Kill a Mockingbird, there was evidence at the trial to the contrary. Throughout the proceedings, the defendant had to be escorted from the courthouse to a distant prison “for safekeeping,” and the courthouse itself was surrounded by a detachment of sixteen Alabama highway patrolmen.

The saga captivated the community with its dramatic testimonies and emotional outcome. It would take an immense toll on those involved, including Foster Beck, who worried that his reputation had cast a shadow over his lively, intelligent, and supportive fiancé, Bertha, who had her own social battles to fight.

This riveting memoir, steeped in time and place, seeks to understand how race relations, class, and the memory of southern defeat in the Civil War produced such a haunting distortion of justice, and how it may figure into our literary imagination.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The story of Foster Beck, the author’s late father, whose defense of a black man accused of rape in 1930s Alabama foreshadowed the trial at the heart of To Kill a Mockingbird.

As a child, Joseph Beck heard the stories—when other lawyers came up with excuses, his father courageously defended a black man charged with raping a white woman.

Now a lawyer himself, Beck reconstructs his father's role in State of Alabama vs. Charles White, Alias, a trial that was much publicized when Harper Lee was twelve years old.

On the day of Foster Beck’s client’s arrest, the leading local newspaper reported, under a page-one headline, that "a wandering negro fortune teller giving the name Charles White" had "volunteered a detailed confession of the attack" of a local white girl. However, Foster Beck concluded that the confession was coerced. The same article claimed that "the negro accomplished his dastardly purpose," but as in To Kill a Mockingbird, there was evidence at the trial to the contrary. Throughout the proceedings, the defendant had to be escorted from the courthouse to a distant prison “for safekeeping,” and the courthouse itself was surrounded by a detachment of sixteen Alabama highway patrolmen.

The saga captivated the community with its dramatic testimonies and emotional outcome. It would take an immense toll on those involved, including Foster Beck, who worried that his reputation had cast a shadow over his lively, intelligent, and supportive fiancé, Bertha, who had her own social battles to fight.

This riveting memoir, steeped in time and place, seeks to understand how race relations, class, and the memory of southern defeat in the Civil War produced such a haunting distortion of justice, and how it may figure into our literary imagination.

More books from W. W. Norton & Company

Cover of the book Nothing That Meets the Eye: The Uncollected Stories of Patricia Highsmith by Joseph Madison Beck
Cover of the book Caliban's Shore: The Wreck of the Grosvenor and the Strange Fate of Her Survivors by Joseph Madison Beck
Cover of the book Trauma and the Struggle to Open Up: From Avoidance to Recovery and Growth by Joseph Madison Beck
Cover of the book Attachment Disturbances in Adults: Treatment for Comprehensive Repair by Joseph Madison Beck
Cover of the book LGBTQ Clients in Therapy: Clinical Issues and Treatment Strategies by Joseph Madison Beck
Cover of the book The Sweet Relief of Missing Children: A Novel by Joseph Madison Beck
Cover of the book Let Me Stand Alone: The Journals of Rachel Corrie by Joseph Madison Beck
Cover of the book The Blue Woman by Joseph Madison Beck
Cover of the book Mayakovsky's Revolver: Poems by Joseph Madison Beck
Cover of the book The Blind Side: Evolution of a Game by Joseph Madison Beck
Cover of the book The Neuropsychology of the Unconscious: Integrating Brain and Mind in Psychotherapy (Norton Series on Interpersonal Neurobiology) by Joseph Madison Beck
Cover of the book Bonk: The Curious Coupling of Science and Sex by Joseph Madison Beck
Cover of the book Your Father Sends His Love: Stories by Joseph Madison Beck
Cover of the book Mermaid: A Memoir of Resilience by Joseph Madison Beck
Cover of the book The Prophet and the Astronomer: Apocalyptic Science and the End of the World by Joseph Madison Beck
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy