Mythic Giacometti
Nonfiction, Home & Garden, Crafts & Hobbies, Art Technique, Sculpture, Biography & Memoir, Artists, Architects & Photographers, Art & Architecture
| Author: | James Lord | ISBN: | 9781466815117 |
| Publisher: | Farrar, Straus and Giroux | Publication: | June 2, 2004 |
| Imprint: | Farrar, Straus and Giroux | Language: | English |
| Author: | James Lord |
| ISBN: | 9781466815117 |
| Publisher: | Farrar, Straus and Giroux |
| Publication: | June 2, 2004 |
| Imprint: | Farrar, Straus and Giroux |
| Language: | English |
The Swiss artist Alberto Giacometti (1901-66) was arguably the greatest sculptor of the twentieth century. He was also--as James Lord persuasively argued in Giacometti: A Biography--a heroic figure whose vocation sustained him through a life of crippling anxiety and erotic guilt.
Almost twenty years after it first appeared, Giacometti has attained the status of a classic, one of the most candid and complete biographies of an artist in our time. In Mythic Giacometti, Lord reveals the hidden "blueprint" of that work: a daringly literal, visionary interpretation of the myth of Oedipus as it affected the conduct and outcome of Giacometti's life. The result is a case study both in the development of an artist and in the writing of biography. Lord concentrates on the private totems of Giacometti's life-family legend, childhood memory,
illness and injury, crucial sexual encounters, intimations of mortality-that amounted, in Lord's view, to signs of a tragic destiny directly linked to the central tragedy of Western literature.
The Swiss artist Alberto Giacometti (1901-66) was arguably the greatest sculptor of the twentieth century. He was also--as James Lord persuasively argued in Giacometti: A Biography--a heroic figure whose vocation sustained him through a life of crippling anxiety and erotic guilt.
Almost twenty years after it first appeared, Giacometti has attained the status of a classic, one of the most candid and complete biographies of an artist in our time. In Mythic Giacometti, Lord reveals the hidden "blueprint" of that work: a daringly literal, visionary interpretation of the myth of Oedipus as it affected the conduct and outcome of Giacometti's life. The result is a case study both in the development of an artist and in the writing of biography. Lord concentrates on the private totems of Giacometti's life-family legend, childhood memory,
illness and injury, crucial sexual encounters, intimations of mortality-that amounted, in Lord's view, to signs of a tragic destiny directly linked to the central tragedy of Western literature.
