| Author: | Alan Ramón Clinton | ISBN: | 9781452444987 |
| Publisher: | Open Books | Publication: | March 1, 2011 |
| Imprint: | Smashwords Edition | Language: | English |
| Author: | Alan Ramón Clinton |
| ISBN: | 9781452444987 |
| Publisher: | Open Books |
| Publication: | March 1, 2011 |
| Imprint: | Smashwords Edition |
| Language: | English |
Shortlisted for the Dundee International Book Prize, Necropsy in E Minor is the tale of a young college professor who sits down to write what he calls a “memoir,” but which really only records the past six months of his life (with numerous digressions), and ends, with the last line, after a richly devastating encounter, at the moment of writing.
Who is this person? That is kept a secret, despite the fact that he is writing for no audience other than himself. His name does not appear, but those of others do, necessary to ensure the accuracy of the anagrams and puns that have helped map his universe since he found “The Note.” Given his disposal to interpret this anonymous confessional/fantasy story, an endeavor undertaken with the firm belief that it was written for him, by someone he knows, and purposefully left for him to find.
Having abandoned the scholarly methodologies and subjects that would actually allow him to attain tenure, our professor on the lam performs all manner of linguistic analyses of the note, drives around the rim of Florida (the pilgrimage method, fittingly circular), desperately uses inkblots, the I Ching, and tarot cards for practical advice, adopts a cat named Sanity, becomes an amateur ornithologist, develops a theory of “instantaneous architecture,” endures a shamanic experience, and eggs himself on with the hope that, no matter what happens, his “memoir” might one day be found by archaeologists and thereby provide a key to human life at the close of the twentieth century.
Shortlisted for the Dundee International Book Prize, Necropsy in E Minor is the tale of a young college professor who sits down to write what he calls a “memoir,” but which really only records the past six months of his life (with numerous digressions), and ends, with the last line, after a richly devastating encounter, at the moment of writing.
Who is this person? That is kept a secret, despite the fact that he is writing for no audience other than himself. His name does not appear, but those of others do, necessary to ensure the accuracy of the anagrams and puns that have helped map his universe since he found “The Note.” Given his disposal to interpret this anonymous confessional/fantasy story, an endeavor undertaken with the firm belief that it was written for him, by someone he knows, and purposefully left for him to find.
Having abandoned the scholarly methodologies and subjects that would actually allow him to attain tenure, our professor on the lam performs all manner of linguistic analyses of the note, drives around the rim of Florida (the pilgrimage method, fittingly circular), desperately uses inkblots, the I Ching, and tarot cards for practical advice, adopts a cat named Sanity, becomes an amateur ornithologist, develops a theory of “instantaneous architecture,” endures a shamanic experience, and eggs himself on with the hope that, no matter what happens, his “memoir” might one day be found by archaeologists and thereby provide a key to human life at the close of the twentieth century.
