New Documentary

A Critical Introduction

Nonfiction, Entertainment, Performing Arts, Film, Social & Cultural Studies, Social Science
Cover of the book New Documentary by Stella Bruzzi, Taylor and Francis
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Author: Stella Bruzzi ISBN: 9781134739448
Publisher: Taylor and Francis Publication: January 4, 2002
Imprint: Routledge Language: English
Author: Stella Bruzzi
ISBN: 9781134739448
Publisher: Taylor and Francis
Publication: January 4, 2002
Imprint: Routledge
Language: English

New Documentary: A Critical Introduction provides a comprehensive account of the last two decades of documentary filmmaking in Britain, the US and Europe. Stella Bruzzi's engaging textbook discusses key genres, filmmakers, and issues for the study of non-fiction film and television, including:
* key texts such as the Zapruder film of Kennedy's assassination, Shoah, Hoop Dreams and Michael Apted's 7 Up series
* documentary genres, from current affairs programming to 'fly on the wall' documentaries to 'reality tv' series
* the work of documentary filmmakers such as Emile de Antonio, Fred Wiseman, Nick Broomfield, Molly Dineen and Paul Watson
* the work of avant-garde filmmakers such as Chris Marker, Patrick Keiller, Peter Greenaway and Wim Wenders, whose films challenge conventions of documentary filmmaking
* movies based on historical events, such as 'JFK' and 'Nixon'
* faux documentaries such as This is Spinal Tap, Bob Roberts and Man Bites Dog
* gender identity, queer theory, performance, 'race' and spectatorship.
Bruzzi shows how theories of documentary filmmaking can be applied to contemporary texts and genres, and discusses the relationship between recent, innovative examples of the genre and the more established canon of documentary.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

New Documentary: A Critical Introduction provides a comprehensive account of the last two decades of documentary filmmaking in Britain, the US and Europe. Stella Bruzzi's engaging textbook discusses key genres, filmmakers, and issues for the study of non-fiction film and television, including:
* key texts such as the Zapruder film of Kennedy's assassination, Shoah, Hoop Dreams and Michael Apted's 7 Up series
* documentary genres, from current affairs programming to 'fly on the wall' documentaries to 'reality tv' series
* the work of documentary filmmakers such as Emile de Antonio, Fred Wiseman, Nick Broomfield, Molly Dineen and Paul Watson
* the work of avant-garde filmmakers such as Chris Marker, Patrick Keiller, Peter Greenaway and Wim Wenders, whose films challenge conventions of documentary filmmaking
* movies based on historical events, such as 'JFK' and 'Nixon'
* faux documentaries such as This is Spinal Tap, Bob Roberts and Man Bites Dog
* gender identity, queer theory, performance, 'race' and spectatorship.
Bruzzi shows how theories of documentary filmmaking can be applied to contemporary texts and genres, and discusses the relationship between recent, innovative examples of the genre and the more established canon of documentary.

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