New Nonfiction Film

Art, Poetics, and Documentary Theory

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book New Nonfiction Film by Dara Waldron, Bloomsbury Publishing
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Author: Dara Waldron ISBN: 9781501322525
Publisher: Bloomsbury Publishing Publication: August 9, 2018
Imprint: Bloomsbury Academic Language: English
Author: Dara Waldron
ISBN: 9781501322525
Publisher: Bloomsbury Publishing
Publication: August 9, 2018
Imprint: Bloomsbury Academic
Language: English

New Nonfiction Film: Art, Poetics and Documentary Theory is the first book to offer a lengthy examination of the relationship between fiction and documentary from the perspective of art and poetics. The premise of the book is to propose a new category of nonfiction film that is distinguished from – as opposed to being conflated with – the documentary film in its multiple historical guises; a premise explored in case-studies of films by distinguished artists and filmmakers (Abbas Kiarostami, Ben Rivers, Chantal Akerman, Ben Russell Pat Collins and Gideon Koppel). The book builds a case for this new category of film, calling it the 'new nonfiction film,' and argues, in the process, that this kind of film works to dismantle the old distinctions between fiction and documentary film and therefore the axioms of Film and Cinema Studies as a discipline of study.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

New Nonfiction Film: Art, Poetics and Documentary Theory is the first book to offer a lengthy examination of the relationship between fiction and documentary from the perspective of art and poetics. The premise of the book is to propose a new category of nonfiction film that is distinguished from – as opposed to being conflated with – the documentary film in its multiple historical guises; a premise explored in case-studies of films by distinguished artists and filmmakers (Abbas Kiarostami, Ben Rivers, Chantal Akerman, Ben Russell Pat Collins and Gideon Koppel). The book builds a case for this new category of film, calling it the 'new nonfiction film,' and argues, in the process, that this kind of film works to dismantle the old distinctions between fiction and documentary film and therefore the axioms of Film and Cinema Studies as a discipline of study.

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