'No Man-Oeuvre' is a further example of John O'Loughlin's aphoristic philosophy in full Social Transcendentalist flight towards an ideological and/or ontological summit, and the title aptly puns the connection between godliness and righteousness, as if to say such a work is above and beyond the scope of 'man', or humanisic limitations. The cover shows a detail from the Joyce Roundabout in Galway City, the Republic of Ireland, taken by the author in 2010.
'No Man-Oeuvre' is a further example of John O'Loughlin's aphoristic philosophy in full Social Transcendentalist flight towards an ideological and/or ontological summit, and the title aptly puns the connection between godliness and righteousness, as if to say such a work is above and beyond the scope of 'man', or humanisic limitations. The cover shows a detail from the Joyce Roundabout in Galway City, the Republic of Ireland, taken by the author in 2010.