Noise and Spirit

The Religious and Spiritual Sensibilities of Rap Music

Nonfiction, Religion & Spirituality
Cover of the book Noise and Spirit by , NYU Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9780814768303
Publisher: NYU Press Publication: November 1, 2003
Imprint: NYU Press Language: English
Author:
ISBN: 9780814768303
Publisher: NYU Press
Publication: November 1, 2003
Imprint: NYU Press
Language: English

Rap music is often seen as a Black secular response to pressing issues of our time. Yet, like spirituals, the blues, and gospel music, rap has deep connections to African American religious traditions.
Noise and Spirit explores the diverse religious dimensions of rap stemming from Islam (including the Nation of Islam and Five Percent Nation), Rastafarianism, and Humanism, as well as Christianity. The volume examines rap’s dialogue with religious traditions, from the ways in which Islamic rap music is used as a method of religious and political instruction to the uses of both the blues and Black women’s rap for considering the distinction between God and the Devil.
The first section explores rap’s association with more easily recognizable religious traditions and communities such as Christianity and Islam. The next presents discussions of rap and important spiritual considerations, including on the topic of death. The final unit wrestles with ways to theologize about the relationship between the sacred and the profane in rap.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Rap music is often seen as a Black secular response to pressing issues of our time. Yet, like spirituals, the blues, and gospel music, rap has deep connections to African American religious traditions.
Noise and Spirit explores the diverse religious dimensions of rap stemming from Islam (including the Nation of Islam and Five Percent Nation), Rastafarianism, and Humanism, as well as Christianity. The volume examines rap’s dialogue with religious traditions, from the ways in which Islamic rap music is used as a method of religious and political instruction to the uses of both the blues and Black women’s rap for considering the distinction between God and the Devil.
The first section explores rap’s association with more easily recognizable religious traditions and communities such as Christianity and Islam. The next presents discussions of rap and important spiritual considerations, including on the topic of death. The final unit wrestles with ways to theologize about the relationship between the sacred and the profane in rap.

More books from NYU Press

Cover of the book Fashioning Fat by
Cover of the book Losing Our Religion by
Cover of the book Getting Wasted by
Cover of the book Pastrami on Rye by
Cover of the book When Governments Break the Law by
Cover of the book Toxic Communities by
Cover of the book Amheida II by
Cover of the book Working the Skies by
Cover of the book What Brown v. Board of Education Should Have Said by
Cover of the book Visions of Zion by
Cover of the book Loca Motion by
Cover of the book Children in Colonial America by
Cover of the book Sodomy and the Pirate Tradition by
Cover of the book The Cultural Capital of Asian American Studies by
Cover of the book The USA Up Close by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy